2015 Steamboat Town Challenge Kickoff Party
Kickoff the 2015 biking season May 1st at McKnights Irish Pub & Loft!
Save money with one time only, season pass pricing below. This will only be available on May 1st during the party.
- Adult Season Pass $125
- Youth Season Pass $45
Also, register to win great prizes, like ticket to:
- Avengers: Age of Ultron @ Wildhorse Stadium Cinema
- Old Crow Medicine Show @ Red Rocks 6/3
- Michael Franti & Spearhead @ Red Rocks 8/9
- Reggae On The Rocks @ Red Rocks 8/22
- 2015 Town Challenge Season Pass
- June 10th – Marabou XC (Marabou Ranch)
- June 24th – Emerald Envy XC (Emerald Mountain)
- July 8th – Churn & Burn XC (Mt. Werner)
- July 22nd – Geronimo Glory (Emerald Mountain)
- August 12th – Storm Peak Hill Climb (Mt. Werner)
- August 19th – You Don’t Know Jack XC (Emerald Mountain)
- September 2nd – Sunshine Loop (Mt. Werner)
The Steamboat Town Challenge is a six race mountain bike series held every summer. Both hill-climb and cross-country events are included and single race or season passes are available. Races are every other Wednesday.
– See more at: http://alwaysmountaintime.com/kfmu/event/2015-steamboat-town-challenge-kickoff-party/#sthash.ifELvwUT.dpuf
Steve Miller Band Red Rocks Wednesday July 22nd, 2015
with special guest Don Felder
Steve Miller‘s career has encompassed two distinct stages: one of the top San Francisco blues-rockers during the late ’60s and early ’70s, and one of the top-selling pop/rock acts of the mid- to late ’70s and early ’80s with hits like “The Joker,” “Fly Like an Eagle,” “Rock’n Me,” and “Abracadabra.” Miller was turned on to music by his father, who worked as a pathologist but knew stars like Charles Mingus and Les Paul, whom he brought home as guests; Paul taught the young Miller some guitar chords and let him sit in on a session. Miller formed a blues band, the Marksmen Combo, at age 12 with friend Boz Scaggs; the two teamed up again at the University of Wisconsin in a group called the Ardells, later the Fabulous Night Trains. Miller moved to Chicago in 1964 to get involved in the local blues scene, teaming with Barry Goldberg for two years.
He then moved to San Francisco and formed the first incarnation of the Steve Miller Blues Band, featuring guitarist James “Curly” Cooke, bassist Lonnie Turner, and drummer Tim Davis. The band built a local following through a series of free concerts and backed Chuck Berry in 1967 at a Fillmore date later released as a live album. Scaggs moved to San Francisco later that year and replaced Cooke in time to play the Monterey Pop Festival; it was the first of many personnel changes. Capitol signed the group as the Steve Miller Band following the festival.
The band flew to London to record Children of the Future, which was praised by critics and received some airplay on FM radio. It established Miller‘s early style as a blues-rocker influenced but not overpowered by psychedelia. The follow-up, Sailor, has been hailed as perhaps Miller‘s best early effort; it reached number 24 on the Billboard album charts and consolidated Miller‘s fan base. A series of high-quality albums with similar chart placements followed; while Miller remained a popular artist, pop radio failed to pick up on any of his material at this time, even though tracks like “Space Cowboy” and “Brave New World” had become FM rock staples. Released in 1971, Rock Love broke Miller‘s streak with a weak band lineup and poor material, and Miller followed it with the spotty Recall the Beginning: A Journey from Eden. Things began to look even worse for Miller when he broke his neck in a car accident and subsequently developed hepatitis, which put him out of commission for most of 1972 and early 1973.
Miller spent his recuperation time reinventing himself as a blues-influenced pop/rocker, writing compact, melodic, catchy songs. This approach was introduced on his 1973 LP, The Joker, and was an instant success, with the album going platinum and the title track hitting number one on the pop charts. Now an established star, Miller elected to take three years off. He purchased a farm and built his own recording studio, at which he crafted the wildly successful albums Fly Like an Eagle and Book of Dreams at approximately the same time. Fly Like an Eagle was released in 1976 and eclipsed its predecessor in terms of quality and sales (over four million copies) in spite of the long downtime in between. It also gave Miller his second number one hit with “Rock’n Me,” plus several other singles. Book of Dreams was almost as successful, selling over three million copies and producing several hits as well. All of the hits from Miller‘s first three pop-oriented albums were collected on Greatest Hits 1974-1978, which to date has sold over six million copies and remains a popular catalog item.
Miller again took some time off, not returning again until late 1981 with the disappointing Circle of Love. Just six months later, Miller rebounded with Abracadabra; the title track gave him his third number one single. The remaining albums released in the ’80s — Italian X Rays,1984; Living in the 20th Century, 1986; and Born 2B Blue, 1988 — weren’t consistent enough to be critically or commercially successful. The early ’90s saw Miller return to form with Wide River (the title track becoming a Top 40 chart entry) and the release of a retrospective box set compiled by the artist himself. Miller continued to headline shows into the 2000s, sharing the bill with classic rock acts such as 2008 tourmate Joe Cocker. He also announced the impending release of a new studio album of R&B covers. In 2010, the band released Bingo!, the first release on Miller’s own Space Cowboy Records.
MARK KNOPFLER RED ROCKS SEPTEMBER 23RD, 2015
The most celebrated British guitar hero to emerge in the 1970s and ’80s, Mark Knopfler rose to fame as the leader of Dire Straits, and his songwriting and incisive guitar work played a decisive role in making them an international success story. At a time when punk and new wave were making technique for its own sake seem irrelevant, and metal was taking the guitar solo in noisier and unpredictable directions, Knopfler‘s clean but dexterous picking proved there was still room for traditionalism and chops in mainstream rock & roll. But even without considering Dire Straits, Knopfler has accumulated an impressive résumé as a producer, sideman, songwriter, and film composer, working alongside some of the best and best-known figures in the music business.
Mark Freuder Knopfler was born in Glasgow, Scotland on August 12, 1949. His father, a Hungarian émigré, worked as an architect, while his mother, of English heritage, was a schoolteacher. The Knopfler family moved to England when Mark was seven years of age, settling in Newcastle-Upon-Tyne, and he developed a passion for music while spending time with his uncle; as he told journalist Dan Forte, “I heard my Uncle Kingsley playing boogie-woogie on the piano when I was about eight or nine, and I thought that those three chords were the most magnificent things in the world — still do.” A few years later, Knopfler began learning to play guitar, first on an inexpensive Hofner model before moving up to a Fender electric his father bought for him. At 16, Knopfler and some pals cut a demo single that was never released, and he performed in a vocal group that was successful enough to merit an appearance on local television.
In 1967, Knopfler enrolled at Harlow Technical College, where he studied journalism, and a year later he landed a job at the Yorkshire Evening Post, where he wrote news stories and music criticism. After two years at the Post, Knopfler opted to return to school, studying English at Leeds University. While at Leeds, he became friends with a fellow guitarist named Steve Phillips, and they began playing out under the name the Duolian String Pickers; while working with Phillips, Knopfler began developing the finger-picking style that would become his trademark.
After graduating from Leeds in 1973, Knopfler moved to London, and joined a pub rock band called Brewer’s Droop, featuring drummer Pick Withers. Knopfler‘s tenure with the band was short-lived, and he took a position as a lecturer at Essex’s Loughton College. Knopfler became friends with a handful of local musicians, and they formed a new band called the Café Racers. Mark‘s brother, David Knopfler, who was also a guitarist and songwriter, introduced Mark to a fellow musician, John Illsley, who played guitar but was also a solid bassist. When the Café Racers found themselves in need of a bass player one night, Mark asked Illsley to sit in, and before long, Mark, David, and John were sharing an apartment and working on songs, with Mark on lead guitar, David on rhythm, and John on bass. Mark invited Pick Withers to play drums with the new combo, and while they played their first few gigs as the Café Racers, before long they adopted a new name coined by Withers — Dire Straits.
After cutting a demo tape, Dire Straits found a champion in BBC disk jockey Charlie Gillett, who began playing their demo on his show, attracting the attention of manager Ed Bicknell and Polygram A&R man John Stainze. Bicknell took Dire Straits under his wing and Stainze signed the group to Polygram’s progressive and hard rock subsidiary Vertigo Records; Warner Bros picked up the band for the United States. Dire Straits‘ self-titled debut album was released in the fall of 1978, and the song “Sultans of Swing” became a surprise hit single in both America and the U.K., with the album following it into the charts, as the group’s clean, expert playing, and Knopfler‘s deft lead guitars, Dylan-esque vocals, and evocative songs won the band airplay on pop and classic rock playlists. It was the first of a long string of successes for Dire Straits, and while the lineup would shift frequently over the group’s lifespan — Mark Knopfler and John Illsley would prove to be the group’s only constants — between 1978 and 1995 the group was a top concert draw and a frequent presence on radio and record charts; their landmark 1985 album Brothers in Arms sold over nine million copies in the United States alone, and was the top selling CD of the ’80s in the U.K.
It wasn’t long after Dire Straits made their commercial breakthrough that Knopfler began expanding his creative boundaries. In 1979, he was invited to play lead guitar on Bob Dylan‘s album Slow Train Coming, and in 1983, he produced Dylan‘s Infidels, as well as leading the backing band. In addition to producing much of Dire Straits‘ catalog, Knopfler was behind the controls for albums by Aztec Camera, Randy Newman, and Willy DeVille. Knopfler lent his talents as a session guitarist to an impressive and diverse range of artists, including Van Morrison, Phil Lynott, Steely Dan, Kate & Anna McGarrigle, Cliff Richard, and Scott Walker. He also penned the song “Private Dancer” for Tina Turner‘s triumphant comeback album of the same name, and found his songs being covered by the Shadows, whose legendary guitarist Hank Marvin was one of Knopfler‘s first inspirations. In 1983, Knopfler added “film composer” to his résumé when he wrote the score for the Scottish comedy Local Hero; Knopfler‘s music was cited in many of the film’s rave reviews, and he would later score the films Cal, The Princess Bride, Last Exit to Brooklyn, and Wag the Dog, among others. And when Weird Al Yankovic asked Knopfler‘s permission to record a parody of Dire Straits‘ “Money for Nothing” for the soundtrack to his film UHF, Knopfler agreed under one condition — that he be allowed to re-create his guitar parts for Yankovic‘s version. Weird Al happily acceded to Knopfler‘s request.
After Knopfler made guest appearances on several albums by another of his heroes, Nashville icon Chet Atkins, the two cut a collaborative project in 1990, called Neck & Neck, which was the first non-soundtrack album Knopfler released under his own name. Knopfler also showed off his love of country sounds with his side project, the Notting Hillbillies, which featured Brendan Croker, Guy Fletcher, and Mark‘s old Duolian String Pickers partner Steve Phillips. In the fall of 1992, Dire Straits played their last concert, a show in Spain on the tour in support of On Every Street, and in 1995, Knopfler quietly announced that he’d retired the band, feeling they’d become too big. 1996’s Golden Heart became Knopfler‘s official solo debut, followed in 2000 by Sailing to Philadelphia, which included guest appearances by Van Morrison, James Taylor, Gillian Welch, and Glenn Tilbrook and Chris Difford of Squeeze. The newly prolific Knopfler shortly returned to the studio and released The Ragpicker’s Dream in the fall of 2002; a world tour was planned, but after Knopfler was involved in a motorcycle accident that left him with a broken shoulder and collarbone, the dates were canceled. However, he was soon feeling well enough to go back to recording, and issued Shangri-La in 2004, a set recorded at the Malibu compound where the Band recorded and rehearsed in the ’70s. As Knopfler‘s taste for rootsy, country-influenced sounds became a growing presence in his solo work, he began working on material with singer Emmylou Harris, and their collaborative album, 2006’s All the Roadrunning, was recorded during sessions spread over seven years. Knopfler and Harris toured together in support of the set, and a live album, Real Live Roadrunning, came out later the same year. Knopfler continued to record at a steady pace, releasing Kill to Get Crimson in 2007 and Get Lucky in 2009, while still finding room to contribute to albums by Sonny Landreth, Bill Wyman, Diane Schuur, Bap Kennedy, and America. 2012 found Knopfler releasing Privateer, the first double-disc studio set of his career.