{"id":974364,"date":"2020-01-10T11:25:45","date_gmt":"2020-01-10T18:25:45","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=931512"},"modified":"2020-01-10T11:25:45","modified_gmt":"2020-01-10T18:25:45","slug":"by-the-numbers-billie-eilishs-number-one-album-was-miles-ahead-of-anyone-else","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kfmu\/music-news\/by-the-numbers-billie-eilishs-number-one-album-was-miles-ahead-of-anyone-else\/","title":{"rendered":"By the Numbers: Billie Eilish\u2019s Number One Album Was Miles Ahead Of Anyone Else"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2020\/01\/RS-Charts-20193.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p>It\u2019s not often that an artist\u2019s debut album goes on to be the most commercially successful album of the year. In fact, the last time it happened was with 50 Cent\u2019s 2003 album<em> Get Rich Or Die Tryin\u2019, <\/em>which he released after a series of successful mixtapes. Since then, the Number One spot has primarily gone to members of music\u2019s top 1 percent \u2014 the Drakes, Taylor Swifts, Ed Sheerans and Adeles.<\/p>\n<p>But in 2019, teenager <a href=\"https:\/\/www.rollingstone.com\/t\/billie-eilish\/\" id=\"auto-tag_billie-eilish\" data-tag=\"billie-eilish\">Billie Eilish<\/a> shook up the status quo, often without raising her voice above a whisper. Eilish\u2019s debut album, <em>When We All Fall Asleep, Where Do We Go?,<\/em> finishes at Number One on the inaugural <a href=\"https:\/\/www.rollingstone.com\/charts\/albums\/year-end\/\">year-end <em>Rolling Stone<\/em> Top 200 Albums Chart<\/a>. Despite its humble roots \u2014 produced entirely with her brother Finneas in their family\u2019s home in Highland Park \u2014<em>When We All Fall Asleep <\/em>finished the year with 2.5 million total album-equivalent units in 2019, 400,000 more units than any other album.<\/p>\n<p><span>The majority of the album\u2019s unit came from streams, with 2.3 billion on-demand audio streams throughout the year. (Only <a href=\"https:\/\/www.rollingstone.com\/t\/post-malone\/\" id=\"auto-tag_post-malone\" data-tag=\"post-malone\">Post Malone<\/a>\u2019s&nbsp;<em>Hollywood\u2019s Bleeding <\/em>pulled in more.) But Eilish fans were also eager to own her debut in physical form \u2014 no album sold more vinyl copies in 2019. Eilish shipped out close to 113,000 LPs of <em>When We All Fall Asleep, Where Do We Go?&nbsp;<\/em><\/span><\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/kpx2-EMfdbg?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p><span>The<\/span><i><span> Rolling Stone<\/span><\/i><span> 200 Albums chart tracks the most popular releases in the United States. Entries are ranked by album units, a number that combines digital and physical album sales, digital song sales, and audio streams using a custom weighting system. The chart does not include passive listening such as terrestrial radio or digital radio. The year-end <em>Rolling Stone<\/em> 200 Albums chart is based on a tracking period from January 4th, 2019, through January 2nd, 2020.&nbsp;<\/span><\/p>\n<div class=\"pmc-contextual-player\">\n<h3> Popular on Rolling Stone <\/h3>\n<\/p><\/div>\n<p><span>Ariana Grande\u2019s <em>thank u, next<\/em><\/span><span> finished second on the year-end RS 200 chart with 2.1 million album units<\/span><span><em>. <\/em>Malone<\/span><span>&nbsp;came in third with&nbsp;<em>Hollywood\u2019s Bleeding<\/em>, a streaming juggernaut that spent five weeks at Number One. However, Malone didn\u2019t release his new album until September, giving <em>thank u, next <\/em>and&nbsp;<em>When We All Fall Asleep, Where Do We Go? <\/em>a months-long head start in the race to win year-end consumption.&nbsp;<\/span><\/p>\n<p><span><a href=\"https:\/\/www.rollingstone.com\/t\/taylor-swift\/\" id=\"auto-tag_taylor-swift\" data-tag=\"taylor-swift\">Taylor Swift<\/a>\u2019s<\/span><i><span> Lover<\/span><\/i><span> came in fourth on the year-end tally, moving 2.1 million units, falling just 30,000 units behind <em>thank u, next<\/em>. Taylor\u2019s seventh studio album saw the biggest first-week numbers of the year, debuting with nearly 1 million units in late August thanks to a <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/taylor-swift-lover-is-a-guaranteed-success-873520\/\">colossal, old-fashioned album push<\/a> that included an Amazon Prime Day concert, a bundle for Capitol One members and deal with Target to sell four different deluxe versions of the album.<\/span><\/p>\n<p><span> Following<em> Lover<\/em> are back to back Post Malone records: <em>Hollywood\u2019s Bleeding<\/em> comes in fourth with 2 million units, with his 2018 album <em>Beerbongs &amp; Bentleys<\/em><\/span><span> following with 1.4 million units. Post Malone the only artists to have two releases in the year-end Top Ten and three in the year-end Top 25.<\/span><span> Khalid\u2019s sophomore effort <em>Free Spirit<\/em> comes in at Number Six, moving 1.4 million units. Four of the Top Five albums of the year came out through Republic Records, and all five were put out by Universal Music Group.&nbsp;<\/span><\/p>\n<p><span>In a year when most of the biggest rappers in the game didn\u2019t release an album, that made room in the top 10 for hip-hop up-and-comers \u2014 A Boogie Wit da Hoodie\u2019s <em>Hoodie SZN<\/em> came in at Number Eight with 1.3 million units\u2014 as well as two more albums from 2018: Drake\u2019s double-album <em>Scorpion<\/em> in seventh, and Travis Scott\u2019s <em>Astroworld <\/em>in ninth. <\/span><span>The soundtrack to<em>&nbsp;A Star Is Born<\/em> rounded out the Top Ten with 1.2 million units.&nbsp;&nbsp;<\/span><\/p>\n<p>Other breakout artists in 2019 include Lil Nas X, whose debut EP <em>7 <\/em>earned 769,400 units, and Lizzo, whose third studio album<em> Cuz I Love You<\/em> finished at Number 17. Charlotte rapper DaBaby launched two new albums into the Top 50 \u2014 <em>Baby on Baby<\/em> (Number 18) and <em>Kirk<\/em> (Number 37) \u2014 while Polo G\u2019s debut studio album <em>Die a Legend<\/em> landed at Number 80 but was named Number One in <em>Rolling Stone<\/em>\u2018s list of the <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/20-best-hip-hop-albums-of-2019-931888\/\">Best Hip-Hop Albums of 2019<\/a>.<\/p>\n<h3><b>Top Albums, Vinyl Sales&nbsp;<\/b><\/h3>\n<p><span>Who buys records anymore? Billie Eilish fans \u2014 Eilish was one of just two modern artists to finish in the Top Ten on the year-end vinyl chart, and one of the only two artists to sell more than 100,000 copies of a single record. Taylor Swift fans were also eager to get their hands on a <em>Lover <\/em>LP.<\/span><\/p>\n<p>But the best-selling vinyl titles are mostly classic rock albums \u2014&nbsp;<em>Abbey Road<\/em>, <em>The Dark Side of the Moon \u2014&nbsp;<\/em>and compilations of canonical artists (<em>Ultimate Sinatra<\/em>) or old hits (<em>Guardians of the Galaxy: Awesome Mix Vol. 1<\/em>). One exception was Amy Winehouse\u2019s&nbsp;<em>Back to Black<\/em>. Winehouse inhabits a middle ground between the golden oldies and contemporary pop stars, but <em>Back to Black<\/em> continues to sell well on vinyl, shipping close to 50,000 units this year.<\/p>\n<p><span> Here are the top albums of 2019 by vinyl sales, according to Alpha Data:&nbsp;<\/span><\/p>\n<ol>\n<li>Billie Eilish,&nbsp;<em>When We All Fall Asleep, Where Do We Go?, <\/em>112,798 copies<\/li>\n<li>The Beatles,&nbsp;<em>Abbey Road<\/em>, 101,024 copies<\/li>\n<li>Queen, <em>Bohemian Rhapsody<\/em>, 78,600 copies<\/li>\n<li>Various Artists, <em>Guardians of the Galaxy: Awesome Mix Vol. 1<\/em>, 69,924 copies<\/li>\n<li>Taylor Swift,&nbsp;<em>Lover<\/em>, 66,702 copies<\/li>\n<li>Pink Floyd, <em>The Dark Side of the Moon,<\/em> 64,018 copies<\/li>\n<li>Bob Marley &amp; the Wailers, <em>Legend<\/em>, 62,325 copies<\/li>\n<li>Michael Jackson,&nbsp;<em>Thriller<\/em>, 59,553 copies<\/li>\n<li>Frank Sinatra,&nbsp;<em>Ultimate Sinatra<\/em>, 52,104 copies<\/li>\n<li>Amy Winehouse,&nbsp;<em>Back to Black<\/em>, 49,231 copies<\/li>\n<\/ol>\n<h3><b>Top Albums, Streams&nbsp;<\/b><\/h3>\n<p>The better an album streamed, the more likely it was to land in the upper echelons of the year-end <em>RS<\/em> 200. So the top 10 albums by streams look largely similar, except some key differences: Taylor Swift\u2019s<em> Lover<\/em> and the soundtrack to <em>A Star Is Born<\/em> don\u2019t make the cut. In their place are two rap albums: Lil Nas X\u2019s 7 \u2014 which benefitted from \u201cOld Town Road,\u201d the year\u2019s biggest single \u2014&nbsp;and Juice WRLD\u2019s <em>Death Race for Love<\/em>.<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/wXhTHyIgQ_U?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<ol>\n<li>Post Malone, <em>Hollywood\u2019s Bleeding,<\/em> 3.17 billion streams<\/li>\n<li>Billie Eilish, <em>When We All Fall Asleep, Where Do We Go?<\/em>, 2.36 billion streams<\/li>\n<li>Ariana Grande,<em> Thank U, Next, <\/em>2.22 billion streams<\/li>\n<li>Khalid, <em>Free Spirit<\/em>, 1.67 billion streams<\/li>\n<li>Post Malone, <em>Beerbongs and Bentleys<\/em>, 1.62 billion streams<\/li>\n<li>A Boogie wit da Hoodie,<em> Hoodie SZN,<\/em> 1.61 billion streams<\/li>\n<li>Lil Nas X, <em>7 EP<\/em>, 1.52 billion streams<\/li>\n<li>Drake, <em>Scorpion<\/em>, 1.51 billion streams<\/li>\n<li>Juice WRLD, <em>Death Race for Love<\/em>, 1.47 billion streams<\/li>\n<li>Travis Scott, <em>Astroworld,<\/em> 1.45 billion streams<\/li>\n<\/ol>\n<h3><b>Top Albums, Physical Sales<\/b><\/h3>\n<p>Unlike the year-end streaming chart, which was heavy on hip-hop acts, the year-end physical sales chart skews more toward pop, with boy bands (Jonas Brothers, Backstreet Boys) and former members of boy bands (Harry Styles) appearing in the Top Ten. Other standouts are BTS, who sold multiple collector version of their <em>Map of the Soul: Persona <\/em>EP, and Tool, who offered a CD package of <em>Fear Inoculum<\/em> with a download that quickly sold out.<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/-BjZmE2gtdo?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<ol>\n<li>Taylor Swift, <em>Lover,<\/em> 1.09 million<\/li>\n<li>Billie Eilish,<em> When We All Fall Asleep,<\/em> <em>Where Do We Go?,<\/em> 594,597<\/li>\n<li>Jonas Brothers,<em> Happiness Begins<\/em>, 483,565<\/li>\n<li>Harry Styles, <em>Fine Line<\/em>, 452,500<\/li>\n<li>Lady Gaga and Bradley Cooper, <em>A Star Is Born: Original Motion Picture 2018<\/em>, 437,732<\/li>\n<li>BTS,&nbsp;<em>Map of the Soul: Persona<\/em>, 383,239<\/li>\n<li>Post Malone, <em>Hollywood\u2019s Bleeding<\/em>, 356,994<\/li>\n<li>Tool, <em>Fear Inoculum<\/em>, 344,285<\/li>\n<li>Backstreet Boys,&nbsp;<em>DNA<\/em>, 313,616<\/li>\n<li>Ariana Grande, <em>Thank U, Next<\/em>, 267,586<\/li>\n<\/ol>\n<p>See the full year-end RS 200 Chart <a href=\"https:\/\/www.rollingstone.com\/charts\/albums\/year-end\/\">here.<\/a><\/p>\n<p> <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/billie-eilish-when-we-all-fall-asleep-where-do-we-go-931512\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s not often that an artist\u2019s debut album goes on to be the most commercially successful album of the year. In fact, the last time it happened was with 50 Cent\u2019s 2003 album Get Rich Or Die Tryin\u2019, which he released after a series of successful mixtapes. Since then, the Number One spot has primarily [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[76],"tags":[],"class_list":{"0":"post-974364","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-27 17:03:46","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KFMU Solar Powered Radio","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kfmu","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kfmu\/wp-json\/wp\/v2\/posts\/974364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kfmu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kfmu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kfmu\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kfmu\/wp-json\/wp\/v2\/comments?post=974364"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kfmu\/wp-json\/wp\/v2\/posts\/974364\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kfmu\/wp-json\/wp\/v2\/media?parent=974364"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kfmu\/wp-json\/wp\/v2\/categories?post=974364"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kfmu\/wp-json\/wp\/v2\/tags?post=974364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}