{"id":480846,"date":"2019-01-14T08:00:01","date_gmt":"2019-01-14T15:00:01","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=777897"},"modified":"2019-01-14T08:00:01","modified_gmt":"2019-01-14T15:00:01","slug":"jawbox-talk-first-tour-in-more-than-20-years-this-year-made-sense","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kqzr\/music-news\/jawbox-talk-first-tour-in-more-than-20-years-this-year-made-sense\/","title":{"rendered":"Jawbox Talk First Tour in More Than 20 Years: \u2018This Year Made Sense\u2019"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2019\/01\/Jawbox.jpg\" class=\"ff-og-image-inserted\"\/><\/div>\n<p>Ever since 2009, when D.C. post-hardcore band Jawbox came together for a one-off performance on <em>Late Night With Jimmy Fallon<\/em>, the members have discussed the idea of launching a more full-scale reunion. Now, they\u2019re finally making it official, as the band will reunite for a series of club dates this summer \u2014 their first live shows in more than 20 years.<\/p>\n<p>\u201cIn the last five years, every year we\u2019ve been like, should we play shows?\u201d bassist Kim Coletta tells <em>Rolling Stone<\/em>. \u201cAnd every year, it\u2019s easy to put up some impediments to playing shows. \u2026 It was kind of like, this year made sense finally. And the hardest thing was just saying, \u2018Yes, let\u2019s try this.\u2019 I\u2019m really excited and nervous at the same time.\u201d<\/p>\n<p class=\"p1\">The shows will bring together the group\u2019s best-known lineup of Coletta, singer-guitarists J. Robbins and Bill Barbot, and drummer Zach Barocas. Titled \u201cAn Impartial Overview\u201d \u2014 after a line from the track \u201cChinese Fork Tie\u201d off 1996\u2019s <em>Jawbox<\/em>, their final studio album to date \u2014 the run will see the quartet play 12 gigs spanning major U.S. cities. Set lists will draw mainly on that self-titled LP and <em>For Your Own Special Sweetheart<\/em>, the band\u2019s superb 1994 major-label debut, following two albums on legendary D.C. indie label Dischord. The tour kicks off on June 14th at Sinclair in Cambridge, Massachusetts, and hits various cities in the Northeast, West Coast and Midwest before wrapping at Chicago\u2019s Metro on July 27th.<\/p>\n<p>The four musicians have all remained in contact since the band\u2019s 1997 split, even collaborating on various projects over the years. According to Robbins, they reached the point where a proper reunion needed to happen now or never. \u201cIf we\u2019re gonna do it, we should do it when we\u2019re still physically capable of doing it justice, of the endurance and physical commitment that it takes to play the kind of music we played in Jawbox,\u201d Robbins says of the mindset that led up to the decision. \u201cIf we\u2019re gonna do it, let\u2019s just fuckin\u2019 do it.\u201d<\/p>\n<p>The last time Jawbox played in public was the <em>Late Night<\/em>\u00a0appearance, timed to a then-new <a href=\"https:\/\/jawbox.bandcamp.com\/album\/for-your-own-special-sweetheart\" target=\"_blank\" rel=\"noopener nofollow\">reissue of <em>Sweetheart<\/em><\/a>, co-released by Dischord and Coletta\u2019s DeSoto imprint. On the show, they played one of that album\u2019s standouts \u201cSavory,\u201d a Nineties classic that exemplifies the band\u2019s signature blend of burly rhythmic drive and tender melodic hooks. No public shows followed, though, and aside from a 2015 Dischord\/DeSoto reissue of <a href=\"https:\/\/jawbox.bandcamp.com\/album\/s-t\" target=\"_blank\" rel=\"noopener nofollow\"><em>Jawbox<\/em><\/a>, the band has been mostly quiet since then.<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WQWZvvSQnIk?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p>Rehearsals have gotten underway in recent months at Robbins\u2019 home in Baltimore, with Coletta and Barbot driving in from the D.C. area and Barocas from Brooklyn. The band says that after all this time off, they\u2019re able to enjoy the project more than ever. \u201cWe seem to all be doing it now for the same reasons, which is that there\u2019s a pleasure in doing this [when] the entire world isn\u2019t riding on this,\u201d Barocas explains. \u201cWe can worry about playing well and enjoying each other, and if we\u2019re still not at all a group of relaxed people, we can at least gather around this thing we do together.\u201d<\/p>\n<p>\u201cEvery band falls into patterns of behavior with each other,\u201d Coletta says. \u201cAnd some of them are great and some of them are not great, and with some maturity under our belt, we actually had conversations, \u2019cause we would practice and then have coffee together or lunch \u2026 just talking about some of the patterns of behavior, getting them out into the open, like, \u2018Let\u2019s not fall back into these.\u2019 And we haven\u2019t; everyone\u2019s like, \u2018Let\u2019s not do <em>that<\/em> again,\u2019 whatever \u2018that\u2019 is, whether it\u2019s not listening well to each other at practice, or whatever.\u201d<\/p>\n<p>Robbins and Coletta formed Jawbox in Washington, D.C. in 1989 with original drummer Adam Wade. They released their debut, <a href=\"https:\/\/jawbox.bandcamp.com\/album\/grippe\" target=\"_blank\" rel=\"noopener nofollow\"><em>Grippe<\/em><\/a>, in 1991. Barbot joined in 1992 and appeared on the band\u2019s second album, <em>Novelty<\/em>. Barocas stepped in for Wade, and the band signed with Atlantic in 1993 \u2014 as the first band on the roster of the staunchly indie Dischord to move to a major, they <a href=\"https:\/\/www.washingtonpost.com\/archive\/lifestyle\/1994\/02\/09\/jawbox-moves-to-the-majors\/b35ac142-3931-436f-b8c4-a384b7b64016\/?noredirect=on&amp;utm_term=.6b9ba735718d\" target=\"_blank\" rel=\"noopener nofollow\">received flak<\/a> from some in their community \u2014 and released <em>Sweetheart<\/em> the following year. The album brought new focus and flair to the <a href=\"https:\/\/www.youtube.com\/watch?v=oCHPjZFw5rk\" target=\"_blank\" rel=\"noopener nofollow\">staccato crunch<\/a> of the <em>Novelty<\/em> era, with Barocas\u2019 versatile attack adding both <a href=\"https:\/\/www.youtube.com\/watch?v=ojvZkc1ufaY\" target=\"_blank\" rel=\"noopener nofollow\">jazzy looseness<\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=4S07-5CuLCw\" target=\"_blank\" rel=\"noopener nofollow\">muscular precision<\/a>. Barbot\u2019s role grew more prominent, as he and Robbins worked out <a href=\"https:\/\/www.youtube.com\/watch?v=VbfpSSX8z0Y\" target=\"_blank\" rel=\"noopener nofollow\">supple harmonies<\/a>, intricate <a href=\"https:\/\/www.youtube.com\/watch?v=MOVM30Rklw4\" target=\"_blank\" rel=\"noopener nofollow\">dual-vocal arrangements<\/a> and, on guitar, skillful blends of sharp riffing and ear-catching texture. Coletta\u2019s <a href=\"https:\/\/www.youtube.com\/watch?v=f8FPpyPQXpw\" target=\"_blank\" rel=\"noopener nofollow\">unmistakable bass sound,<\/a> massive yet crisply articulate and impressively nimble, held the songs together.<\/p>\n<p>The band toured heavily, opening for fellow Nineties road dogs like Stone Temple Pilots. <em>Jawbox<\/em>, which featured a more <a href=\"https:\/\/www.youtube.com\/watch?v=bOh7bDAoNZ8\" target=\"_blank\" rel=\"noopener nofollow\">streamlined<\/a>\u00a0yet still <a href=\"https:\/\/www.youtube.com\/watch?v=BJ05GRPLKe0\" target=\"_blank\" rel=\"noopener nofollow\">fierce<\/a> sound and a brilliant hidden-track <a href=\"https:\/\/www.youtube.com\/watch?v=w7SmTUbfCP0\" target=\"_blank\" rel=\"noopener nofollow\">cover<\/a> of Tori Amos\u2019 \u201cCornflake Girl,\u201d followed in 1996 via Atlantic subsidiary TAG, but the band broke up the following year. \u201cWe had the chance to grab the brass ring,\u201d Barbot <a href=\"https:\/\/www.npr.org\/sections\/therecord\/2018\/01\/12\/577063077\/the-grunge-gold-rush\" target=\"_blank\" rel=\"noopener nofollow\">told NPR<\/a> in 2018, \u201cand we missed.\u201d<\/p>\n<p>Robbins says that this time around, he\u2019s happy not to have to worry about the scene politics that weighed on him in the old days. \u201cIn the Nineties, there was all the drama about who\u2019s indie and who\u2019s selling out and who\u2019s for real and we sort of lived through that because it was really important to us to be true to a kind of DIY ethos that inspired us in the first place,\u201d he explains. \u201cBut we did cross over to a major label and we did try to straddle both worlds and personally I had a lot of tension about that and was always worried about whether what we were doing was OK. And now I just go back and say, \u2018Man, basically it was OK.\u2019<\/p>\n<p>\u201cHow about we have this band and it\u2019s just fun \u2019cause it\u2019s fun, you know?\u201d he adds with a laugh.<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/A4fMLQpVEP4?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p>Since Jawbox\u2019s breakup, the classic lineup has spawned a slew of related projects. The same year the band split, Robbins and Barbot teamed up in Burning Airlines with drummer Peter Moffett, who had played in Government Issue with Robbins. Around the same time, Barocas co-founded instrumental outfit the <a href=\"https:\/\/theuponin.bandcamp.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Up On In<\/a>, while Coletta turned her attention to a career in education. After Burning Airlines\u2019 breakup, Robbins co-founded a series of other bands, including <a href=\"https:\/\/channels.bandcamp.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Channels<\/a>, with his wife Janet Morgan, and <a href=\"https:\/\/officeoffutureplans.bandcamp.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Office of Future Plans<\/a>; he has also steadily played solo shows, often including <a href=\"https:\/\/www.youtube.com\/watch?v=UglMRpXZ1es\" target=\"_blank\" rel=\"noopener nofollow\">versions of Jawbox songs<\/a>. In 2017, Robbins and Barocas issued an EP by\u00a0<a href=\"https:\/\/arcticrodeorecordings.bandcamp.com\/album\/mourning-resistance-celebration\" target=\"_blank\" rel=\"noopener nofollow\">Camorra<\/a>, their collaboration with Far vocalist Jonah Matranga, while Barbot has recently reunited with Peter Moffett in <a href=\"https:\/\/www.facebook.com\/foxhallstacks\/\" target=\"_blank\" rel=\"noopener nofollow\">Foxhall Stacks<\/a>. (Barbot also made headlines in 2018, when he <a href=\"http:\/\/www.brooklynvegan.com\/jawbox-guitarist-speaks-on-ex-classmate-brett-kavanaugh-frat-culture\/\" target=\"_blank\" rel=\"noopener nofollow\">spoke to the national press<\/a> about former classmate Brett Kavanaugh and refuted statements the Supreme Court nominee had made; he <a href=\"https:\/\/theintercept.com\/2018\/09\/29\/our-silence-will-serve-no-one-alumni-of-brett-kavanaughs-high-school-urge-graduates-to-share-information-about-sexual-assaults\/\" target=\"_blank\" rel=\"noopener nofollow\">co-signed a petition<\/a> calling for others from the school to speak out.)<\/p>\n<p>Of all the ex-members, Coletta was the only one who hadn\u2019t actually played in a band since Jawbox ended. \u201cI had to just get the bass back on and see what that felt like,\u201d she says, speaking from the library of the private school where she works as a media specialist. \u201cBut it\u2019s funny, that muscle memory is incredible. Once I got the physical skills back and the calluses, it was like, oh, I remember this better than I thought. I\u2019ve got 20 songs under my belt right now. It\u2019s been a lot of work. \u2026 I get home from work and I\u2019m exhausted from the kids and stuff, and I have my own kid but I make sure I play every day day, and more on the weekends.\u201d<\/p>\n<p>\u201cPersonally it\u2019s really rewarding for me to watch her warm back up,\u201d Robbins says of Coletta. \u201cThis is something that she put aside for a long time, but it\u2019s never actually left her so you could see over the first couple practices the confidence coming back to her. It was really great to actually see it in real time.\u201d<\/p>\n<p>While nothing\u2019s confirmed beyond this initial run of dates, the group says they\u2019re open to playing more shows, schedules and busy lives permitting. The question of new material is also still up in the air, though the group has kicked around some song ideas. \u201cThere\u2019s lots of new bits and pieces in a folder online,\u201d Coletta says, adding that for her, writing would be essential if the reunion were to really have a life beyond this initial wave of activity. \u201cI don\u2019t know personally if I could carry on with it without new material,\u201d she says. \u201c\u2018Cause I want it to be relevant and not just feel reunion-y.\u201d<\/p>\n<p>Barocas agrees. \u201cWe don\u2019t want to end up being a revival act,\u201d he says. \u201cWe were a pretty dignified band. And we don\u2019t want to take it so far that we\u2019re somehow compromising that.\u201d<\/p>\n<p>For now, the band is just focusing on the task at hand, relearning a chunk of songs from <em>Sweetheart<\/em> and <em>Jawbox<\/em>, with some older tracks mixed in \u2014 Robbins seems particularly excited about reviving the anthemic <em>Jawbox<\/em> tune <a href=\"https:\/\/www.youtube.com\/watch?v=kFi5RpQk64o\" target=\"_blank\" rel=\"noopener nofollow\">\u201cDesert Sea\u201d<\/a> and a fresh arrangement of the <em>Novelty<\/em> standout <a href=\"https:\/\/www.youtube.com\/watch?v=yXyuD53gHvU\" target=\"_blank\" rel=\"noopener nofollow\">\u201cStatic\u201d<\/a> \u2014 for the upcoming gigs. \u201cWe can work on the set and we can work on some shows and if we want to work on new tunes, we can, and all of those things are really just up to us,\u201d Barocas says. \u201cWe\u2019re not beholden to any other process.\u201d<\/p>\n<p>In the drummer\u2019s mind, based on the encouraging progress they\u2019ve made at rehearsals so far, the Jawbox reunion is already a success. \u201cPlaying with Bill at first was a little strange, until suddenly it wasn\u2019t,\u201d he says. \u201cI think the strange thing is that he has a beard now; looking at him took me a minute. Similarly with Kim, once we played a song, it was fine. I think the hard part was getting to that, in that none of us wanted to screw it up and none of us wanted to suck. It turns out that none of that happened.\u201d<\/p>\n<p><strong>Jawbox Tour Dates<\/strong><\/p>\n<p>June 14 \u2013 Cambridge, MA @ Sinclair<br \/>June 21 \u2013\u00a0Philadelphia, PA @ Union Transfer<br \/>June 22 \u2013\u00a0Brooklyn, NY @ Brooklyn Steel<br \/>June 28 \u2013\u00a0Washington, D.C. @ 9:30 Club<br \/>July 9 \u2013 Seattle, WA @ Showbox at the Market<br \/>July 10 \u2013 Portland, OR @ Wonder Ballroom<br \/>July 12 \u2013\u00a0San Francisco, CA @ The Fillmore<br \/>July 13 \u2013 Los Angeles, CA @ The Regent Theater<br \/>July 19 \u2013 Dallas, TX @ Trees<br \/>July 20 \u2013 Austin, TX @ Mohawk<br \/>July 26 \u2013 Minneapolis, MN @ First Avenue<br \/>July 27 \u2013\u00a0Chicago, IL @ Metro<\/p>\n<p><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/jawbox-reunion-tour-interview-j-robbins-kim-coletta-zach-barocas-777897\/\" target=\"_blank\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ever since 2009, when D.C. post-hardcore band Jawbox came together for a one-off performance on Late Night With Jimmy Fallon, the members have discussed the idea of launching a more full-scale reunion. Now, they\u2019re finally making it official, as the band will reunite for a series of club dates this summer \u2014 their first live [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[],"class_list":{"0":"post-480846","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-12 14:37:53","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KQZR - The Reel","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kqzr","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/480846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/comments?post=480846"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/480846\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/media?parent=480846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/categories?post=480846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/tags?post=480846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}