{"id":482043,"date":"2019-02-10T15:56:01","date_gmt":"2019-02-10T22:56:01","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=792644"},"modified":"2019-02-10T15:56:01","modified_gmt":"2019-02-10T22:56:01","slug":"clive-davis-pre-grammy-party-is-a-joyful-reminder-of-a-bygone-era","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kqzr\/music-news\/clive-davis-pre-grammy-party-is-a-joyful-reminder-of-a-bygone-era\/","title":{"rendered":"Clive Davis\u2019 Pre-Grammy Party Is a Joyful Reminder of a Bygone Era"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2019\/02\/image1.jpeg\" class=\"ff-og-image-inserted\"\/><\/div>\n<p>Even among jaded music industry types \u2014 hardened by years, if not decades, of quasi-authentic glad-handing and perpetual cynicism \u2014 there are few events more whimsical than <a href=\"https:\/\/www.rollingstone.com\/t\/clive-davis\/\" id=\"auto-tag_clive-davis\" data-tag=\"clive-davis\">Clive Davis<\/a>\u2019 annual pre-Grammy gala. Every year, on the night before the award show, the record label kingmaker hosts approximately 1,000 people for an event that combines myriad performances with Davis honoring and anointing his favorite industry people \u2014 many of whom have long locked down \u201clegend\u201d status \u2014 alongside various sports and political figures.<\/p>\n<p>But for all the paparazzi and glitz that Davis ensures each year, it\u2019s paradoxically one of the few places where celebrities can, to the extent celebs are able, \u201cbe themselves.\u201d Young musicians approach their influences starstruck with the same glee as a teenage fan. Actors buddy up with politicians (Speaker of the House <a href=\"https:\/\/www.rollingstone.com\/t\/nancy-pelosi\/\" id=\"auto-tag_nancy-pelosi\" data-tag=\"nancy-pelosi\">Nancy Pelosi<\/a> got a standing ovation from the crowd when Davis introduced her). Managers, publicists and label honchos try to get their rising stars in front of \u201cthe right people.\u201d There is no Illuminati; but if there was, this room is the closest approximation.<\/p>\n<p>Imagine a wedding where roughly 50 percent of the room are celebrities and the best man (Davis) gives a speech every 15 minutes or so. As in past years, Davis\u2019 fetes to his colleagues take on a near-game show-like approach. (\u201cOur next honoree has won six Grammy awards, sold 38 million albums and starred in a 1983 movie that rhymes with \u2018Eggplant.\u2019\u201d) Guessing who it is becomes a parlor game in and among itself.<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/6QWKxLOLT6M?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p>This year\u2019s event, which took place on Saturday night at the Beverly Hills Hilton, honored Clarence Avant, the 87-year-old record label executive who founded Venture Records and Sussex Records, with the Salute to Industry Icons Award. But it also doubled as a showcase for artists like Travis Scott, Brandi Carlile, H.E.R. and others.<\/p>\n<p>Like this week\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/spotify-best-new-artist-grammy-party-791912\/\">Spotify party for the Best New Artist nominees<\/a>, it can be a tough room. Travis Scott\u2019s typical crowd, for example, is not a group of tuxedo- and gown-clad attendees clumsily dancing in their seats to \u201cGoosebumps\u201d and \u201cSicko Mode.\u201d But getting the Davis imprimatur still feels like the closest an artist can get to an \u201cIndustry seal of approval\u201d in a landscape in which the very idea of a monoculture has been decimated.<\/p>\n<p>But there are moments of sheer joy. Jimmy Jam and Terry Lewis joined Morris Day and the Time for an ebullient medley that included \u201cJungle Love\u201d and \u201cThe Bird.\u201d (There is no better stage prop than Day preening himself in front of a handheld mirror mid-song.) Bebe Rexha and Florida Georgia Line performed a crowd-pleasing \u201cMeant to Be,\u201d while H.E.R. chose her poignant cover of Foy Vance\u2019s \u201cMake It Rain.\u201d But the clear highlight was a tribute to Aretha Franklin that included Jazmine Sullivan covering \u201cCall Me,\u201d a duet with Rob Thomas for \u201cI Knew You Were Waiting,\u201d a medley by Ledisi of \u201cThink,\u201d \u201cAin\u2019t No Way\u201d and \u201cRespect\u201d and R&amp;B sister duo Chloe x Halle delivering a joyful \u201cSisters Are Doin\u2019 It for Themselves.\u201d Davis had known Franklin for 40 years before her death last August, so the medley felt especially personal.<\/p>\n<p>Exponentially more people will watch the Grammys than this party, of course. But for many in attendance afterward, it felt as if the main event had already happened; a vestige of a bygone music industry that continues to lurch forward, gleefully oblivious, for one night at least, to changing technologies and structures in favor of a time when a bunch of powerful people all hang out in the same room to continue their global cultural takeover and awkwardly dance.<\/p>\n<p><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/grammys-2019-clive-davis-pre-grammy-party-los-angeles-792644\/\" target=\"_blank\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even among jaded music industry types \u2014 hardened by years, if not decades, of quasi-authentic glad-handing and perpetual cynicism \u2014 there are few events more whimsical than Clive Davis\u2019 annual pre-Grammy gala. Every year, on the night before the award show, the record label kingmaker hosts approximately 1,000 people for an event that combines myriad [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[],"class_list":{"0":"post-482043","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-13 21:24:45","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KQZR - The Reel","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kqzr","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/482043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/comments?post=482043"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/482043\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/media?parent=482043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/categories?post=482043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/tags?post=482043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}