{"id":482831,"date":"2019-02-28T11:01:26","date_gmt":"2019-02-28T18:01:26","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=801455"},"modified":"2019-02-28T11:01:26","modified_gmt":"2019-02-28T18:01:26","slug":"de-la-soul-is-finally-coming-to-streaming-tonight-but-they-might-not-see-the-profits","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kqzr\/music-news\/de-la-soul-is-finally-coming-to-streaming-tonight-but-they-might-not-see-the-profits\/","title":{"rendered":"De La Soul Is Finally Coming to Streaming Tonight, But They Might Not See the Profits"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2019\/02\/de-la-soul-to-streaming.jpg\" class=\"ff-og-image-inserted\"\/><\/div>\n<p><span><a href=\"https:\/\/www.rollingstone.com\/t\/de-la-soul\/\" id=\"auto-tag_de-la-soul\" data-tag=\"de-la-soul\">De La Soul<\/a> are finally escaping digital purgatory, but are still, somehow, trapped in music industry hell. Three days before the 30th anniversary of their debut album<\/span> <em><span>3 Feet High and Rising<\/span><\/em><span>, the legendary rap group\u2019s catalog will finally be released on streaming services at midnight on Friday. The reason it\u2019s taken so long is still a source of controversy.<\/span><\/p>\n<p><span>The news should be cause for celebration: De La Soul has never gone digital. For as long as downloading mp3s or streaming music has been around, their early albums were stuck in a legal limbo for a<\/span> <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/de-la-soul-to-make-entire-catalog-available-for-free-70568\/\"><span>variety of complicated reasons<\/span><\/a><span>: allegedly uncleared samples, contracts that didn\u2019t stipulate that cleared samples could be used for digital purposes and major label bureaucracy from their time under the Warner umbrella.<\/span><\/p>\n<p><span>Five years ago, the group decided to bypass official channels and made their entire catalog for free for a short period of time. \u201cIt\u2019s about allowing our fans who have been looking and trying to get a hold of our music to have access to it,\u201d De La Soul member Posdnuos <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/de-la-soul-to-make-entire-catalog-available-for-free-70568\/\">told <em>Rolling Stone<\/em><\/a> in 2014. \u201cIt\u2019s been too long where our fans haven\u2019t had access to everything. This is our way of showing them how much we love them.\u201d It\u2019s not until now, however, that anyone with a streaming service can easily access that catalog.<\/span><\/p>\n<p><span>Now that Tommy Boy Records, the group\u2019s longtime home, has regained control of their catalog from Warner Music Group, it\u2019s ready to release the trio\u2019s discography. According to De La Soul, they\u2019ll only see 10 percent of the profits. Sitting in the lobby of the W Hotel in New York, De La Soul \u2014 made up of Kelvin \u201cPosdnuos\u201d Mercer, David \u201cTrugoy\u201d Jolicoeur and Vincent \u201cMaseo\u201d Mason Jr. \u2014 are split between pointed fury and a sense of exhaustion.<\/span><\/p>\n<p><span>Since 2012, they fought to acquire their music from Warner to no avail. Then, recently, they say they received an email from Tommy Boy Records founder Tom Silverman.<\/span><\/p>\n<p><span>\u201cHe sent us an email, in addition to all the other artists on Tommy Boy,\u201d Mason explains. \u201c<\/span><span>Letting everyone know that he got the catalog back and sent pretty much an amended agreement based on what previous contracts have been, or what type of deal he wanted to split with us regarding this catalog. And it\u2019s not a favorable deal. It\u2019s not a good deal at all\u2026 If he got no response in 30 days, it would be brought back to the original contracts.\u201d<\/span><\/p>\n<p><span>\u201cFrom back in the Eighties,\u201d Jolicoeur chuckles in disbelief.<\/span><\/p>\n<p><span><a href=\"https:\/\/www.instagram.com\/p\/BuWvRLMl6AM\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">On Instagram<\/a>, the group alleged that Tommy Boy will get 90 percent of the profits from their digital discography, while they will see roughly 10 percent. The mechanics of the deal are even more complicated than that, though, stemming from what they call a \u201cphantom two million dollar debt.\u201d<\/span><\/p>\n<p><span>\u201cThe actual offer was 30 percent to De La,\u201d Jolicoeur alleges. \u201cBut with this phantom debt that\u2019s in the air \u2013 this 2 million dollar debt \u2013 what he proposes is, \u2018Since you guys are getting 30, I\u2019m going to take 20 of that 30 and kick it back to your debt.&#8217;\u201d<\/span><\/p>\n<p><span>The group says it\u2019s still trying to find clarity on what that debt is and why they owe it. Their lawyers explained that it\u2019s customary for a parent company like Warner to write off any debt for an artist it\u2019s signing, they say, and that should\u2019ve happened before Tommy Boy CEO Tom Silverman re-acquired the label. Ironically, the money that they could\u2019ve made during the mp3 boom should theoretically have been more than enough to clear their mysterious debt.<\/span><\/p>\n<p><span>\u201cWe missed an entire download era,\u201d Mercer says.<\/span><\/p>\n<p><span>According to a statement from Silverman, these terms can still be worked out. \u201cDe La Soul is one of the seminal music groups of the 20th century, and Tommy Boy is proud to have been with the launch of their career from the beginning, releasing six albums over 12 years.<\/span> <span>Unfortunately, a misunderstanding has arisen between Tommy Boy and the group and we have not been given an opportunity to discuss their concerns with them or their lawyer after their public announcements on social media and digital radio interviews,\u201d Silverman tells <em>Rolling Stone<\/em> via an email statement. \u201cWhile we are confident that this can be resolved, we were saddened this is happening around the 30th Anniversary of their debut album<\/span> <em><span>3 Feet High and Rising<\/span><\/em><span>, and to see factually incorrect statements attributed to members of the group.\u201d<\/span> (Silverman did not reply to <em>Rolling Stone<\/em>\u2018s follow-up on which of the group\u2019s statements he found \u201cfactually inaccurate.\u201d)<\/p>\n<p><span>\u201cTommy Boy and De La Soul\u2019s management have been working together for six months planning the digital release of the group\u2019s classic catalog,\u201d Silverman adds. \u201c<\/span><span>We remain hopeful that we can continue to work together amicably.\u201d<\/span><\/p>\n<p><span>Regardless, the group will celebrate the 30th anniversary of<\/span> <em><span>3 Feet High and Rising<\/span><\/em> <span>in open resistance to the label that stands to profit from their seminal works. De La Soul claims the record company wasn\u2019t even aware that the milestone anniversary of their debut was imminent. According to the group, the original plan was to release their albums to streaming last November, but they and their marketing team had to remind the label of the significance of March 3rd.<\/span><\/p>\n<p><span>\u201cHe [Tom Silverman] wasn\u2019t even aware of it,\u201d Jolicoeur says. \u201cNo guidance, no awareness, no consciousness of what was going on with De La\u2019s catalog, other than, \u2018Let\u2019s get out there so we get money.\u2019\u201d<\/span><\/p>\n<p><span>While describing the album that changed his life, rapper Trugoy repeats the word \u201cblueprint\u201d three times in an attempt to express \u2014 correctly \u2014 how foundational an album<\/span> <em><span>3 Feet High and Rising<\/span><\/em> <span>was for rap as a genre upon its release. \u201cWe came up with an album that was totally different from what was happening at a time and I think invited more people into the world of <a href=\"https:\/\/www.rollingstone.com\/t\/hip-hop\/\" id=\"auto-tag_hip-hop\" data-tag=\"hip-hop\">hip hop<\/a>,\u201d he says. \u201cI think [it] liberated a lot of artists that wanted to probably say some of the things and do some of the things that we were doing on that record. It was one of the early litmus tests for what was to come.\u201d<\/span><\/p>\n<p><span>De La Soul isn\u2019t bitter, even in the midst of the ongoing disputes. The group has never stopped fighting for, and against,<\/span> <em><span>3 Feet High and Rising<\/span><\/em><span>. They defended themselves against claims they were soft after their flower motif started to become bigger than the reality of the group. They\u2019ve survived sample clearance issues, popular perception and doubt from peers. Ironically, an album built on a lack of aggression has been fought over more than the gangster rap albums it positioned against during its cultural peak.<\/span><\/p>\n<p><span>Multiple celebrities are showing solidarity. Questlove called for a Tommy Boy boycott on<\/span> <a href=\"https:\/\/www.instagram.com\/p\/BuZFSyjjEoV\/\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"><span>Instagram<\/span><\/a><span>. Jay-Z reached out to the group and said<\/span> <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/de-la-soul-catalog-streaming-services-tidal-801064\/\"><span>Tidal wouldn\u2019t stream the albums<\/span><\/a><span>.<\/span><\/p>\n<p><span>\u201cAs far as our peers, there\u2019s a tremendous amount of respect that has developed over the years based our genuine love for the music and the culture,\u201d Mason says. \u201cMaybe with a different point of view, but we all come from the same place.\u201d<\/span><\/p>\n<p><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/de-la-soul-streaming-catalog-tommy-boy-801455\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>De La Soul are finally escaping digital purgatory, but are still, somehow, trapped in music industry hell. Three days before the 30th anniversary of their debut album 3 Feet High and Rising, the legendary rap group\u2019s catalog will finally be released on streaming services at midnight on Friday. The reason it\u2019s taken so long is [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[],"class_list":{"0":"post-482831","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-14 17:52:34","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KQZR - The Reel","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kqzr","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/482831","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/comments?post=482831"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/482831\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/media?parent=482831"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/categories?post=482831"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/tags?post=482831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}