{"id":486555,"date":"2019-06-01T13:15:46","date_gmt":"2019-06-01T19:15:46","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=842902"},"modified":"2019-06-01T13:15:46","modified_gmt":"2019-06-01T19:15:46","slug":"rocketman-fact-checking-the-elton-john-biopic","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kqzr\/music-news\/rocketman-fact-checking-the-elton-john-biopic\/","title":{"rendered":"\u2018Rocketman\u2019: Fact-Checking the Elton John Biopic"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2019\/05\/rm-23015rw.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p>The new <a href=\"https:\/\/www.rollingstone.com\/t\/elton-john\/\" id=\"auto-tag_elton-john\" data-tag=\"elton-john\">Elton John<\/a> movie <em>Rocketman<\/em> never pretends to be a traditional biopic. It\u2019s a fantasy musical told from the perspective of a burned-out, drug-addled Elton reflecting on his wild life from a rehab facility in the early 1990s. Characters frequently burst into elaborately choreographed song and dance routines, songs are played long before he wrote them, the timeline is off much of the time and facts are disregarded in favor of creating a compelling narrative and capturing the emotional truth of Elton\u2019s life.<\/p>\n<p>\u201cWhat I care about is capturing moments cinematically and musically,\u201d <em>Rocketman<\/em> director Dexter Fletcher told <em>Rolling Stone<\/em>. \u201cI have to take artistic license, which is what Elton said I should do. He\u2019s a creative, artistic person and that\u2019s the way we approached it.\u201d<\/p>\n<p>With all that in mind, fact-checking the movie may seem like an unfair exercise. But a lot of people are going to see it with only a passing knowledge of Elton\u2019s life and will emerge from the theater curious as to what was real and what was fictionalized. So here\u2019s a very incomplete list of moments from the movie that aren\u2019t quite historically accurate.<\/p>\n<p><strong>1. Bernie Taupin didn\u2019t write the \u201cBorder Song\u201d lyrics in 1967<br \/><\/strong>In real life and the movie, Liberty Records executive Ray Williams introduced John to his longtime lyricist Bernie Taupin. But the movie shows Williams passing along Taupin\u2019s lyrics to \u201cBorder Song\u201d before the two even met. That song wouldn\u2019t would be created for another two years. You do briefly see a manuscript for \u201cA Dandelion Dies in the Wind,\u201d which is indeed a tune from 1967.<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/PtAd78M2j6k?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p><strong>2. Elton didn\u2019t take his last name from John Lennon<br \/><\/strong>As the movie shows, the man born Reginald Kenneth Dwight took the first part of his stage name from from his Bluesology bandmate Elton Dean. But the \u201cJohn\u201d didn\u2019t come from John Lennon. It came from Long John Baldry, a mainstay of the 1960s London rock scene that was one his earliest mentors and also the man that discovered Rod Stewart.<\/p>\n<p><strong>3. Elton didn\u2019t audition for Dick James by playing \u201cDaniel\u201d and \u201cI Guess That\u2019s Why They Call it the Blues\u201d<br \/><\/strong>Ray Williams was impressed by Elton John from the very beginning, but his boss Dick James was much more skeptical. In <em>Rocketman<\/em>, Elton tries to impress him by playing bits of \u201cDaniel\u201d and \u201cI Guess That\u2019s Why They Call It The Blues.\u201d But this is 1967 and those songs wouldn\u2019t be written until 1972 and 1983.<\/p>\n<p><strong>4. \u201cCrocodile Rock\u201d wasn\u2019t played at Elton\u2019s U.S. debut at the Troubadour<br \/><\/strong>The most crucial evening of Elton John\u2019s career took place on August 25th, 1970, when he made his American debut at the Troubadour and blew the audience away. <em>Rocketman<\/em> recreates the evening in great detail, but they show him singing \u201cCrocodile Rock\u201d when he and Taupin were two years away from writing it. (We could also be insanely nitpicky and point out the show was on a Tuesday and not a Monday as the movie says.)<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Ji6qM1-NJ_0?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p><strong>5. Neil Young didn\u2019t play the Troubadour a week before Elton<br \/><\/strong>When Elton first shows up at the Troubadour and is surprised by how small it is, owner Doug Weston tells him that Neil Young played two weeks earlier and packed the place. Young had just wrapped up a CSNY tour at the time and was playing far larger venues than the Troubadour with them. He last played the Troubadour well over a year prior to Elton\u2019s U.S. debut and hasn\u2019t done a show there since.<\/p>\n<p><strong>6. John didn\u2019t meet his band that night<br \/><\/strong>Movie Elton was very nervous when Dick James told him he\u2019d booked shows at the Troubadour because he didn\u2019t even have a band yet. Ray Williams says he\u2019ll care of that and Elton meets the musicians when he first arrives at the venue. In real life, Elton had been gigging with drummer Nigel Olson and bassist Dee Murray all over England since April 1970, four months before they went to Los Angeles.<\/p>\n<p><strong>7. He didn\u2019t have a guitar player in 1970<br \/><\/strong>Elton played the Troubadour baked only by Murray and Olsson. There are no tapes of that night, but you can hear what they sounded like on the incredible live album <em>11\/17\/70.<\/em> They wouldn\u2019t be joined by a guitarist until Davey Johnston until 1972. Murray died in 1992, but Olsson and Johnstone are still in his touring band 49 years later.<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ZFbCd-gGigM?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p><strong>8. John Reid didn\u2019t enter his life that night<br \/><\/strong>In the movie, Elton and Bernie go to a party at Mama Cass\u2019 house after the Troubadour. Bernie walks off and leaves Elton alone, but then a Scottish man comes up and introduces himself as music manager John Reid. This is a major moment since Reid would become Elton\u2019s lover for a few years and his manager until 1998. But they didn\u2019t meet that night. It actually took place at a Motown Christmas party later that year.<\/p>\n<p><strong>9. 1971 to 1990 isn\u2019t some amorphous blob of time<br \/><\/strong>After this breakthrough at the Troubadour, the timeline of movie Elton\u2019s life gets very hard to follow. We see a quick montage of newspaper headlines and gold records before it\u2019s suddenly 1976 and he\u2019s recording \u201cDon\u2019t Go Breaking My Heart\u201d with Kiki Dee. But then a bit later, it\u2019s 1975 and he\u2019s playing Dodger Stadium and then it\u2019s 1979 and recording <em>Victim of Love<\/em> dressed in a sequined hat that was his signature look 10 years later. It\u2019s all pretty jolting, but then again this is Elton remembering his life from a rehab facility years in the future, so it\u2019s understandable his memory would work like this.<\/p>\n<p><strong>10. He didn\u2019t marry Renate Blauel until 1984<br \/><\/strong>The movie shows him recording the <em>Victim of Love<\/em> title track in 1979 and falling for sound engineer Renate Blauel as they sing \u201cDon\u2019t Let The Sun Go Down on Me\u201d together. He\u2019s so desperate for a genuine human connection at this point that he marries her even though he\u2019s gay and the marriage is doomed to failure. They cut right from the studio to their wedding, but that didn\u2019t happen until 1984.<\/p>\n<p><strong>11. He didn\u2019t have an extended split with Bernie Taupin<br \/><\/strong>The movie says that John and Taupin \u201cnever had an argument\u201d shortly before showing them have quite a few little spats. At the end of a particularly bitter one, Bernie storms off while singing \u201cGoodbye Yellow Brick Road.\u201d It\u2019s implied they worked apart for years. There was indeed a period in the late Seventies where Elton worked with Gary Osborne and other lyricists, but it just lasted a couple of albums and the duo have worked together almost exclusively since the early Eighties.<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ZHwVBirqD2s?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p><strong>12. \u201cI\u2019m Still Standing\u201d was written years before he went to rehab<br \/><\/strong>The movie ends with him kicking drugs and alcohol in rehab and writing \u201cI\u2019m Still Standing\u201d in a jubilant moment where he recognizes he can still create great music while sober. But the song came out in 1983 and he finished rehab in 1991.<\/p>\n<p>Once again, none of these things really matter and if you want the strict truth about Elton John\u2019s life, there are plenty of books and documentaries that get into it. (May we humbly recommend <a href=\"https:\/\/www.youtube.com\/watch?v=actU3vbTQuU\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><em>Tantrums and Tiaras<\/em><\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=_PKlk7THq1s\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><em>Elton John: Me, Myself and I<\/em><\/a>.) They won\u2019t have Elton coming into rehab dressed as a giant red devil or singing \u201cRocket Man\u201d at the bottom of a swimming pool as a duet with his childhood self. They also won\u2019t be quite as outlandishly fun as <em>Rocketman.<\/em><\/p>\n<p><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/rocketman-fact-check-elton-john-biopic-842902\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The new Elton John movie Rocketman never pretends to be a traditional biopic. It\u2019s a fantasy musical told from the perspective of a burned-out, drug-addled Elton reflecting on his wild life from a rehab facility in the early 1990s. Characters frequently burst into elaborately choreographed song and dance routines, songs are played long before he [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[],"class_list":{"0":"post-486555","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-20 09:50:39","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KQZR - The Reel","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kqzr","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/486555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/comments?post=486555"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/486555\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/media?parent=486555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/categories?post=486555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/tags?post=486555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}