{"id":487220,"date":"2019-06-20T07:04:09","date_gmt":"2019-06-20T13:04:09","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=849596"},"modified":"2019-06-20T07:04:09","modified_gmt":"2019-06-20T13:04:09","slug":"see-freddie-mercury-belt-time-waits-for-no-one-in-unreleased-new-solo-clip","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kqzr\/music-news\/see-freddie-mercury-belt-time-waits-for-no-one-in-unreleased-new-solo-clip\/","title":{"rendered":"See Freddie Mercury Belt \u2018Time Waits for No One\u2019 in Unreleased New Solo Clip"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2019\/06\/3932479d.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p>Dave Clark remembers how he felt when he heard <a href=\"https:\/\/www.rollingstone.com\/t\/freddie-mercury\/\" id=\"auto-tag_freddie-mercury\" data-tag=\"freddie-mercury\">Freddie Mercury<\/a> sing his song, \u201cTime Waits for No One,\u201d for the first time. \u201cIt gave me goosebumps,\u201d he tells <em>Rolling Stone<\/em>. \u201cI thought, \u2018This is magic.&#8217;\u201d<\/p>\n<p>The song was originally part of <em>Time<\/em>, a musical that was spearheaded by Clark, best known as the former leader and drummer of the <a href=\"https:\/\/www.rollingstone.com\/t\/dave-clark-five\/\" id=\"auto-tag_dave-clark-five\" data-tag=\"dave-clark-five\">Dave Clark Five<\/a>. When Mercury\u2019s recording of \u201cTime,\u201d which Clark cowrote with John Christie, came out on the soundtrack for the musical, it was <a href=\"https:\/\/www.youtube.com\/watch?v=CCXkIoPPz88\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">schmaltzy and heavily produced<\/a> with thick layers of backing vocals and heavy drums. It was also a big hit, making it to Number 32 on the U.K. chart. Now Clark has stripped the song down to the way he originally heard it for a special release <a href=\"https:\/\/freddiemercury.lnk.to\/TimeWaitsForNoOne\" rel=\"nofollow noopener noreferrer\" target=\"_blank\">out Thursday<\/a>.<\/p>\n<p>The new version features only Mercury\u2019s voice and piano played by Mike Moran, who went on to accompany the <a href=\"https:\/\/www.rollingstone.com\/t\/queen\/\" id=\"auto-tag_queen\" data-tag=\"queen\">Queen<\/a> singer on his <em>Barcelona<\/em> solo album. Mercury\u2019s voice starts smooth and scrunches and contorts into rougher sounds as he sings lines like, \u201cWe\u2019ve got to build this world together or we might have no future at all, because time waits for nobody.\u201d The stripped-back arrangement shines a spotlight on his vocal acrobatics in a way that was lost in the original, and it\u2019s Mercury\u2019s already well-recognized talent that Clark hopes people hear in the new recording.<\/p>\n<p>\u201cFreddie asked me, \u2018How do you want me to perform this?&#8217;\u201d Clark recalls. \u201cI said, \u2018As a cross between Edith Piaf, Jennifer Holliday and Shirley Bassey.\u2019 He said, \u2018Well, dear. I have all the dresses. I can do it perfectly.&#8217;\u201d<\/p>\n<p>Clark first met Mercury in 1976 when Queen played a powerhouse set at London\u2019s Hyde Park. \u201cI stood on the wings of the stage, and I was taken aback because this guy came out in a black leotard, and I thought, \u2018Wow, what\u2019s this? Liza Minelli?&#8217;\u201d Clark recalls. \u201cAnd then he opened his mouth and sang. It was unbelievable. What a performer. And the show went down amazingly.\u201d The show ran long and the band wasn\u2019t allowed to play an encore \u2014 London police threatened to arrest Mercury if he tried to get back onstage \u2014 so Clark accompanied them to restaurant Mr. Chow and they hit it off. It helped, too, that Mercury was a big fan of the Dave Clark Five, whose \u201cGlad All Over\u201d toppled the Beatles\u2019 \u201cI Want to Hold Your Hand\u201d for the Number One spot in the U.K. in 1964.<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ok9Mh4s8APw?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p>Several years later, when Clark was working on <em>Time,<\/em> he reached out to Mercury through the singer\u2019s girlfriend who gave him a phone number in Munich. Clark had already lined up a stunning cast for the production, including Sir Laurence Olivier, Stevie Wonder, Dionne Warwick and Cliff Richard, and Mercury at first told him, \u201cYou\u2019ve come a bit late there, haven\u2019t you?\u201d Nevertheless, Clark insisted that he fly over, play Mercury a tape of the song and see if he liked it. Fortuitously, Mercury did and they booked time in Abbey Road Studios in December 1985.<\/p>\n<p>\u201cEveryone said to me that Freddie would be a nightmare to work with because he was so meticulous,\u201d Clark recalls. \u201cI\u2019m the same way. I want things to be right. If I didn\u2019t like something, I\u2019d say it and vice-versa with Freddie.\u201d&nbsp; The session lasted from 6 p.m. until 6 a.m., with Mercury bringing in his personal chef, who cooked for everybody, \u201ceven the tape operators,\u201d as they all shared champagne and vodka. Mercury hoped to record the song with Queen, but Clark convinced him to use his musicians. \u201cI said, \u2018If it doesn\u2019t work, I\u2019ll pay for the time and we\u2019ll bring your boys in.\u2019 And it really did work beautifully.\u201d They ended up cutting both \u201cTime,\u201d and another song for the album, the similarly sentimental \u201cIn My Defence,\u201d which was a posthumous hit for the singer in 1992.<\/p>\n<p>There are, of course, more Freddie fans than ever who know how good he was thanks to the success of <em>Bohemian Rhapsody<\/em>. Clark is well aware of the movie\u2019s popularity and says he\u2019s waited to release this version so as not to seem like he\u2019s cashing in on Queenmania. \u201cWe\u2019ve been trying to do this for a decade or so,\u201d he says. \u201cI was finished with the film in the last spring of last year, and I heard they just finished the movie. The movie\u2019s been off and on, no disrespect, for over a decade, and I decided it would be wrong to bring it out before the film or during it, so I waited.\u201d He invited Queen manager Jim Beach to hear what he had been working on and surprised him with the new version of \u201cTime,\u201d and was happy the manager loved it.<\/p>\n<p>They also filmed a video for the song at the time on the stage where the musical was produced. It was a rush job: The theatrical union gave them only three hours to shoot and little time to set up and break down before the doors opened. They transferred the footage from 35-millimeter film to video and crunched out a clip for <em>Top of the Pops<\/em>. For this release, Clark went back to the original films \u2014 shot on four cameras, with two angles never developed before \u2014 and cut a new video for this release.<\/p>\n<p>\u201cThe nice thing about the film is it\u2019s Freddie on his own without anybody else, and it shows the emotion of the song,\u201d Clark says. \u201cWe all know he\u2019s a great singer, but I don\u2019t think he\u2019s been seen on his own with just a piano like this. It makes you realize how good somebody is.\u201d<\/p>\n<p><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/freddie-mercury-time-waits-for-no-one-849596\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dave Clark remembers how he felt when he heard Freddie Mercury sing his song, \u201cTime Waits for No One,\u201d for the first time. \u201cIt gave me goosebumps,\u201d he tells Rolling Stone. \u201cI thought, \u2018This is magic.&#8217;\u201d The song was originally part of Time, a musical that was spearheaded by Clark, best known as the former [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[],"class_list":{"0":"post-487220","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-21 12:07:51","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KQZR - The Reel","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kqzr","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/487220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/comments?post=487220"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/487220\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/media?parent=487220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/categories?post=487220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/tags?post=487220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}