{"id":490561,"date":"2019-09-26T08:43:04","date_gmt":"2019-09-26T14:43:04","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=890505"},"modified":"2019-09-26T08:43:04","modified_gmt":"2019-09-26T14:43:04","slug":"sharon-van-etten-talks-new-doc-springsteen-and-leaving-new-york","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kqzr\/music-news\/sharon-van-etten-talks-new-doc-springsteen-and-leaving-new-york\/","title":{"rendered":"Sharon Van Etten Talks New Doc, Springsteen and Leaving New York"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2019\/09\/SharonVanEtten.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p>Sometime in 2016, <a href=\"https:\/\/www.rollingstone.com\/t\/sharon-van-etten\/\" id=\"auto-tag_sharon-van-etten\" data-tag=\"sharon-van-etten\">Sharon Van Etten<\/a> was heading to her rehearsal space when she stumbled upon her past. \u201cI walked by an old bar that had closed and I saw these kids living in a neighborhood that I couldn\u2019t afford anymore,\u201d the singer-songwriter said. \u201cI started feeling old, but then it made me mad at myself for even saying shit like that. I got to thinking about who I was when I hung out there, who I was before I moved to New York.\u201d<\/p>\n<p>The experience inspired Van Etten to write \u201cSeventeen,\u201d a synth-heavy standout from her new record <em>Remind Me Tomorrow.&nbsp;<\/em>With lyrics like \u201cDown beneath the ashes and the stone\/Sure of what I\u2019ve lived and have known,\u201d she reflects on her youth in New York while looking towards the future. \u201cThe song still resonates with me as I\u2019m a mom now,\u201d she says. \u201cIt constantly changes meaning and perspective.\u201d<\/p>\n<p>Fifteen years, three boroughs and nine apartments later, Van Etten packed her bags and moved to Los Angeles in September. <em>Departure<\/em>, the new mini-documentary from Amazon Music, captures Van Etten\u2019s final days in the city, where she played her last performance as a New Yorker at Webster Hall on May 4th. \u201cI still feel like I have a lot to live and a lot more work to do to have a full-on documentary,\u201d she says. \u201cIn the grand scheme of things, I haven\u2019t been around that long. But I do feel like this is a really special moment in time.\u201d<\/p>\n<p>A heartfelt element of <em>Departure<\/em> is when Van Etten describes how moving to the city at such a young age shaped her as a musician as clips of her performing in front of people for the first time flash across the screen. \u201cI moved there in my early twenties when I needed my ass kicked, and I got my ass kicked. I worked really hard, I had multiple jobs and I said yes to every show. I always struggled to find the next neighborhood that I could afford and constantly move further and further out.\u201d After Van Etten gave birth to a son in 2017, she and her partner \u2014 her once drummer and now manager Zeke Hutchins \u2014 made the decision to leave. \u201cI realized that a one-bedroom apartment is up to my maxed rent there,\u201d she says. \u201cBut also, I was done hustling.\u201d<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/j7sTHoeH0eA?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p>For the Webster Hall show, Van Etten asked <a href=\"https:\/\/www.rollingstone.com\/t\/norah-jones\/\" id=\"auto-tag_norah-jones\" data-tag=\"norah-jones\">Norah Jones<\/a> to join her onstage for a poignant \u201cSeventeen.\u201d \u201cI thought of all the people that represented the big change in my life over the last few years, and Norah was someone that I grew up admiring.\u201d <em>Departure<\/em> shows footage of Van Etten and Jones in the studio after the performance, cutting a swaggering version of the song \u201cShe\u2019s just so easy to be around,\u201d Van Etten says. \u201cI think it can be really stressful in the studio when you have time constraints, everyone\u2019s squeezing it in. But she didn\u2019t make me feel like that. She made it feel like she appreciated being asked to be a part of it.\u201d<\/p>\n<p>Van Etten and Jones\u2019 duet may sound more laid back and folky than the studio version, but it still contains a heart-wrenching yearning for youth. The song\u2019s nostalgia has drawn comparisons to Springsteen, and Van Etten is more than okay with that. \u201cI\u2019m from Jersey,\u201d she laughs. \u201cI admire him very much. I think he represents the working class in a way that a lot of songwriters of his caliber don\u2019t really pay attention to. I love the idea that someone like the boss is still every man, every person. I\u2019ve never gotten to meet him, but I just feel like he would be the nicest guy.\u201d<\/p>\n<p>As Van Etten unpacks her new home in Los Angeles&nbsp; \u2014 \u201cI have to learn how to get used to nature,\u201d she says \u2014 she thinks about what <em>Departure<\/em> really represents: a love letter to New York. \u201cYou don\u2019t have to hate New York to leave it,\u201d she says. \u201cIt will always be there, it will always be changing. I\u2019ll go back. It might be more of a see later and not so much of a goodbye.\u201d<\/p>\n<p> <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/sharon-van-etten-new-doc-departure-890505\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sometime in 2016, Sharon Van Etten was heading to her rehearsal space when she stumbled upon her past. \u201cI walked by an old bar that had closed and I saw these kids living in a neighborhood that I couldn\u2019t afford anymore,\u201d the singer-songwriter said. \u201cI started feeling old, but then it made me mad at [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[],"class_list":["post-490561","post","type-post","status-publish","format-standard","category-music-news"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-08-21 15:10:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KQZR - The Reel","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kqzr","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/490561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/comments?post=490561"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/490561\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/media?parent=490561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/categories?post=490561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/tags?post=490561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}