{"id":491150,"date":"2019-10-11T08:09:10","date_gmt":"2019-10-11T14:09:10","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=896973"},"modified":"2019-10-11T08:09:10","modified_gmt":"2019-10-11T14:09:10","slug":"song-you-need-to-know-pusha-t-and-hbos-succession-are-the-media-merger-of-the-year","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kqzr\/music-news\/song-you-need-to-know-pusha-t-and-hbos-succession-are-the-media-merger-of-the-year\/","title":{"rendered":"Song You Need to Know: Pusha T and HBO\u2019s \u2018Succession\u2019 Are the Media Merger of the Year"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2019\/10\/pusha-t-succession.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p>Schadenfreude may be universal, but the keen, delightful unease of watching <a href=\"https:\/\/www.rollingstone.com\/t\/hbo\/\" id=\"auto-tag_hbo\" data-tag=\"hbo\">HBO<\/a>\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/t\/succession\/\" id=\"auto-tag_succession\" data-tag=\"succession\">Succession<\/a><\/em> \u2014 whose second season wraps this Sunday evening \u2014 is particularly amplified for anyone who works in media, the industry of total chaos over which the show\u2019s magnificently out-of-touch plutocrats preside. In response to deep obsession and\/or deep psychological tumult brought on by the year-and-a-half run of the show, journalists have turned the Roy family empire into a sea of content, quizzes, and memes of their own.<\/p>\n<p>The latest addition to the <em>Succession<\/em> spin-off media world carries a higher profile: \u201cPuppets,\u201d an HBO-sanctioned remix of the show\u2019s instrumental theme song from rapper and G.O.O.D. Music president <a href=\"https:\/\/www.rollingstone.com\/t\/pusha-t\/\" id=\"auto-tag_pusha-t\" data-tag=\"pusha-t\">Pusha T<\/a> and composer Nicholas Britell. \u201cPuppets\u201d is bold, brash, and melodically unsettled, just like the original Britell track underneath it. It manages to be catchy but not kitschy, escaping the usual trap into which so many other media-of-media works have fallen. In <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/pusha-t-succession-theme-song-895826\/\">teasing the remix<\/a> earlier this week on social media, Pusha called it the \u201csoundtrack to my life.\u201d<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/sF5IU-Pyn2A?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p>First, that signature piano theme. The source of the edge-of-seat discomfort of Britell\u2019s original track is made obvious in the <a href=\"https:\/\/www.musicnotes.com\/sheetmusic\/mtd.asp?ppn=MN0187889\" rel=\"nofollow noopener noreferrer\" target=\"_blank\">sheet music<\/a>: A trilling <em>ottava<\/em> (a series of notes played an octave higher than what can fit on the staff) and number of seemingly random accidentals (sharps and flats that take the melody out of key signature) flay the otherwise steady theme into something dearly weird; rapid-fire minor-to-major key changes allow the tune to continue being interesting for much longer than audiences can normally stand in a TV title sequence. (A personal side note: The track\u2019s Emmy win for Outstanding Original Main Title Theme Music last month turned out to be better validation for my dozen years of classical piano lessons than any concert or competition ever was.)<\/p>\n<p>Pusha\u2019s bass-heavy remix stays true to the original while adding a sense of higher stakes to the restrained keys and strings. Lyrics aren\u2019t the central force here \u2014 \u201cFamily, fortune, envy, jealousy, privilege, passed-on legacy,\u201d Pusha raps on the chorus, as if assembling a mood board of <em>Succession<\/em>\u2018s motifs \u2014 but they don\u2019t need to be, serving the ancillary role that they do to the force of the beat and all its sonic oddities. Within the <em>Succession<\/em> canon itself, of course, \u201cPuppets\u201d also doesn\u2019t face much competition: Kendall Roy\u2019s on-stage \u201cL to the O-G, dude be the O-G, A-N he playin&#8217;\u201d homage to his father in&nbsp;a particularly flooring <a href=\"https:\/\/www.rollingstone.com\/tv\/tv-recaps\/succession-recap-season-2-episode-8-dundee-891143\/\">episode a few weeks ago<\/a> will go down as one of the most difficult-to-watch scenes of modern TV history.<\/p>\n<p>\u201cPuppets\u201d is also a natural fit of minds: Pusha has a number of heavy-hitting collaborations under his belt, and Britell, who\u2019s scored the Barry Jenkins films <em>Moonlight<\/em> and&nbsp;<em>If Beale Street Could Talk<\/em> along with Adam McKay\u2019s <em>The Big Short,<\/em> has often cited producers Quincy Jones and Dr. Dre as inspiration for his classical riffs. When creating the <em>Succession<\/em> theme, the composer was intrigued by the \u201ctonal complexity to the show\u2019s episodes,\u201d he said in an interview <a href=\"https:\/\/www.vulture.com\/2019\/08\/succession-nicholas-britell-piano-theme-song.html\" rel=\"nofollow noopener noreferrer\" target=\"_blank\">with <em>Vulture<\/em><\/a> earlier this year, and he wanted that complexity to reflect in the show\u2019s theme \u2014 resulting in the piano\u2019s jagged, slightly unhinged feel. \u201cI like the sound of instruments when they\u2019re not perfectly in tune,\u201d Britell told <em>Vulture<\/em>. \u201cIt\u2019s more interesting, this feeling of humanness that comes through when things aren\u2019t perfect, or when a sound has a subtle sourness to it. I\u2019m always looking for that, but I definitely went to extreme levels with this theme.\u201d Dropping two days before <em>Succession<\/em>\u2018s sure-to-be-implosive finale, \u201cPuppets\u201d has that sourness down pat.<\/p>\n<p> <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/pusha-t-hbo-succession-remix-puppets-896973\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Schadenfreude may be universal, but the keen, delightful unease of watching HBO\u2019s Succession \u2014 whose second season wraps this Sunday evening \u2014 is particularly amplified for anyone who works in media, the industry of total chaos over which the show\u2019s magnificently out-of-touch plutocrats preside. In response to deep obsession and\/or deep psychological tumult brought on [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[],"class_list":["post-491150","post","type-post","status-publish","format-standard","category-music-news"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-08-21 23:59:30","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KQZR - The Reel","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kqzr","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/491150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/comments?post=491150"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/491150\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/media?parent=491150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/categories?post=491150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/tags?post=491150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}