{"id":491638,"date":"2019-10-25T12:27:18","date_gmt":"2019-10-25T18:27:18","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=903889"},"modified":"2019-10-25T12:27:18","modified_gmt":"2019-10-25T18:27:18","slug":"trent-reznor-breaks-silence-on-undeniably-hooky-old-town-road","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kqzr\/music-news\/trent-reznor-breaks-silence-on-undeniably-hooky-old-town-road\/","title":{"rendered":"Trent Reznor Breaks Silence on \u2018Undeniably Hooky\u2019 \u2018Old Town Road\u2019"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2019\/10\/NasTrent.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p>When <a href=\"https:\/\/www.rollingstone.com\/t\/trent-reznor\/\" id=\"auto-tag_trent-reznor\" data-tag=\"trent-reznor\">Trent Reznor<\/a> first heard \u201cOld Town Road,\u201d he was surprised. The song used a short section of banjo from <a href=\"https:\/\/www.youtube.com\/watch?v=XF_ceFugJjQ\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201c34 Ghosts IV,\u201d<\/a> a track off Nine Inch Nails\u2019 mostly instrumental 2008 album <em>Ghosts I\u2013IV<\/em>, that <a href=\"https:\/\/www.rollingstone.com\/t\/lil-nas-x\/\" id=\"auto-tag_lil-nas-x\" data-tag=\"lil-nas-x\">Lil Nas X<\/a> and producer YoungKio had souped up with trap beats and an unforgettable chorus. Hearing his music out of context, Reznor\u2019s gut reaction was less critical than visceral.<\/p>\n<p>\u201cAt first when you hear your stuff turned into something else, it always feels awkward because it\u2019s something that intimately came from you in some way,\u201d he tells <em>Rolling Stone<\/em>. He likens it to being taken aback at hearing the way Johnny Cash turned his sparsely, gothic <em>Downward Spiral<\/em> track \u201cHurt,\u201d which references drug use, into an acoustic country love song. \u201cYou feel a little bit violated, you know?\u201d he laughs. \u201cAnd then you get over that and you realize it\u2019s become something else and the Johnny Cash thing is incredible. It\u2019s very flattering.<\/p>\n<p> <!-- .l-article-content__pull--left --> <\/p>\n<p>\u201cThe music from <em>Ghosts<\/em> that turned into \u2018Old Town Road\u2019 certainly didn\u2019t come from as intimate a place as the song \u2018Hurt\u2019 did, but it\u2019s still something that I remember what I was thinking about when we did it and then you hear it turned into this other thing, it feels strange at first,\u201d he continues. \u201cBut I thought he did a good job with that.\u201d<\/p>\n<p>The song, which features Reznor and his Nine Inch Nails collaborator Atticus Ross as cowriters, has since become the longest-running Number One record in Billboard\u2019s chart history. Reznor was speaking with <em>Rolling Stone<\/em> for an upcoming interview about <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/trent-reznor-atticus-ross-watchman-end-credits-903048\/\">his and Ross\u2019 score for HBO\u2019s Watchmen.<\/a><\/p>\n<p>\u201cThe way it was presented to me originally is I got a call from my management saying, \u2018We got a call from a panicked manager saying they had used the sample of something off <em>Ghosts<\/em>,&#8217;\u201d Reznor recalls. \u201c\u2018They should have cleared it, but it didn\u2019t get cleared. It\u2019s picking up some steam on the viral Spotify charts. What do you think about that?\u2019 And I said, \u2018Look, I\u2019m fine with it. I get how stuff goes. They\u2019re not saying they didn\u2019t sample it. Just work it out but don\u2019t be a roadblock to this.\u2019 I hadn\u2019t heard it yet. Then a few weeks later, I was like, \u2018Holy shit.&#8217;\u201d<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/XF_ceFugJjQ?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p>Reznor calls \u201cOld Town Road\u201d \u201cundeniably hooky,\u201d but once it exploded, he took a backseat to the phenomenon. \u201cThe reason I haven\u2019t stepped in to comment anything about it is I don\u2019t feel it\u2019s my place to play any kind of social critic to that,\u201d he says. \u201cI was a material that was used in a significant way and it turned into something that became something else, and those guys should be the ones the spotlight is on \u2026 They asked if I wanted to do a cameo in the video, and it was flattering, and I don\u2019t mean to be disrespectful, but I don\u2019t feel like it\u2019s my place to shine a light on me for that. I say that with complete respect.\u201d<\/p>\n<p>Still, he\u2019s amazed at how the song became a juggernaut. \u201cHaving been listed on the credits of the all-time, Number One whatever-the-fuck-it-is wasn\u2019t something \u2026 I didn\u2019t see that one coming,\u201d he says. \u201cBut the world is full of weird things that happen like that. It\u2019s flattering. But I don\u2019t feel it\u2019s for me to step in there and pat myself on the back for that.\u201d<\/p>\n<p>But does he like it? \u201cIt\u2019s been stuck in my head enough,\u201d he says. \u201cLet\u2019s put it that way.\u201d<\/p>\n<p> <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/trent-reznor-old-town-road-903889\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Trent Reznor first heard \u201cOld Town Road,\u201d he was surprised. The song used a short section of banjo from \u201c34 Ghosts IV,\u201d a track off Nine Inch Nails\u2019 mostly instrumental 2008 album Ghosts I\u2013IV, that Lil Nas X and producer YoungKio had souped up with trap beats and an unforgettable chorus. Hearing his music [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[],"class_list":["post-491638","post","type-post","status-publish","format-standard","category-music-news"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-08-22 03:56:20","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KQZR - The Reel","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kqzr","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/491638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/comments?post=491638"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/491638\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/media?parent=491638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/categories?post=491638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/tags?post=491638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}