{"id":491753,"date":"2019-10-31T11:24:21","date_gmt":"2019-10-31T17:24:21","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=906341"},"modified":"2019-10-31T11:24:21","modified_gmt":"2019-10-31T17:24:21","slug":"doctor-sleep-soundtrack-revisits-the-shining-introduces-us-to-new-villains","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kqzr\/music-news\/doctor-sleep-soundtrack-revisits-the-shining-introduces-us-to-new-villains\/","title":{"rendered":"\u2018Doctor Sleep\u2019 Soundtrack Revisits \u2018The Shining,\u2019 Introduces Us to New Villains"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2019\/10\/rev-1-DS-TRLR-0025_High_Res_JPEGW.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p><em><a href=\"https:\/\/www.rollingstone.com\/t\/doctor-sleep\/\" id=\"auto-tag_doctor-sleep\" data-tag=\"doctor-sleep\">Doctor Sleep<\/a><\/em> may be the sequel to <em>The Shining<\/em>, but it\u2019s still very much its own book: The horrors aren\u2019t just related to the Overlook Hotel and its ghosts, but also (spoiler alert) a roving pack of vampire-like creatures that feast on children who possess that psychic glimmer knowing as the shining. As such, the music for the upcoming film echoes the original Stanley Kubrick adaptation, but brings in its own special air of doom.<\/p>\n<p><a href=\"https:\/\/consequenceofsound.net\/2019\/10\/doctor-sleep-score-stream\/?fbclid=IwAR3-oG3RJ2cF8tyjtDIAN87I-YjxD26YYnjeeXp4dUj-_On6vyAcSZ9AeiE\" rel=\"nofollow noopener noreferrer\" target=\"_blank\">Consequence of Sound<\/a> premiered two tracks scored by The Newton Brothers: \u201cThe Overlook,\u201d which takes us back to book one with a reprise of Wendy Carlos\u2019 theme for the 1980 flick, and \u201cThe Hat, the Snake and Dan,\u201d the title of which refers to both the vampiric villains of <em>Doctor Sleep<\/em> and Dan Torrance, the now-grownup child from <em>The Shining<\/em>.<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/RZXhguSxHY0?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p>\u201cIt was important for&nbsp;<em>Doctor Sleep<\/em>&nbsp;to have its own identity,\u201d says director&nbsp;<a href=\"https:\/\/www.rollingstone.com\/t\/mike-flanagan\/\" id=\"auto-tag_mike-flanagan\" data-tag=\"mike-flanagan\">Mike Flanagan<\/a>&nbsp;in a press release, \u201cbut we also wanted to call back to some of the feelings Kubrick created in&nbsp;<em>The Shining<\/em>. He utilized score and sound design in a way that created an impenetrable sense of dread.\u201d<\/p>\n<p>Author <a href=\"https:\/\/www.rollingstone.com\/t\/stephen-king\/\" id=\"auto-tag_stephen-king\" data-tag=\"stephen-king\">Stephen King<\/a> notoriously despised the acclaimed Kubrick adaptation of his 1977 novel: He told the <em><a href=\"https:\/\/www.theparisreview.org\/interviews\/5653\/stephen-king-the-art-of-fiction-no-189-stephen-king\" rel=\"nofollow noopener noreferrer\" target=\"_blank\">Paris Review<\/a><\/em> in 2006, \u201cToo cold. No sense of emotional investment in the family whatsoever on his part. \u2026 And Kubrick didn\u2019t seem to have any idea that Jack Nicholson was playing the same motorcycle psycho that he played in all those biker films he did \u2014 <em>Hells Angels on Wheels<\/em>,&nbsp;<em>The Wild Ride<\/em>,&nbsp;<em>The Rebel Rousers<\/em>, and&nbsp;<em>Easy Rider<\/em>. The guy is crazy. So where is the tragedy if the guy shows up for his job interview and he\u2019s already bonkers? No, I hated what Kubrick did with that.\u201d<\/p>\n<p> <!-- .l-article-content__pull--left --> <\/p>\n<p>King seems much more enthused for <em>Doctor Sleep<\/em>, <a href=\"https:\/\/twitter.com\/StephenKing\/status\/1187127715708715009\" rel=\"nofollow noopener noreferrer\" target=\"_blank\">tweeting on October 23<\/a>, \u201c<em>DOCTOR SLEEP<\/em>: Mike Flanagan is a talented director, but he\u2019s also an excellent storyteller. The movie is a good thing. You\u2019ll like this if you liked <em>THE SHINING<\/em>, but you\u2019ll also like it if you liked <em>SHAWSHANK<\/em>. It\u2019s immersive.\u201d<\/p>\n<p>The full track list for the film \u2014 opening November 8 \u2014 is below:<\/p>\n<p><strong><em>Doctor Sleep<\/em> Track List:<\/strong><br \/>01. Dies Irae \/ Violet (Incorporating The Shining Main Title)<br \/>02. 237<br \/>03. Mrs. Massey<br \/>04. Please Talk Please<br \/>05. The Shining<br \/>06. Lockbox<br \/>07. Rattlesnake<br \/>08. Spoons<br \/>09. The Hat, The Snake &amp; Dan<br \/>10. Turning<br \/>11. Gaucher\u2019s Disease<br \/>12. Doctor Sleep<br \/>13. #19<br \/>14. Steam<br \/>15. Redrum<br \/>16. The Looker<br \/>17. Astral Projection<br \/>18. Who\u2019s Tony?<br \/>19. Chimes &amp; Outside Voices<br \/>20. Rose Traveling<br \/>21. Grampa Flick<br \/>22. The Things That Lived There<br \/>23. That Which Was Forgotten<br \/>24. The True Knot<br \/>25. Ventriloquism<br \/>26. Radio Waves<br \/>27. Going West<br \/>28. The Overlook<br \/>29. You Seem Put Upon<br \/>30. Bloody Elevators<br \/>31. Enough!<br \/>32. Ventus<br \/>33. The Hedge Maze Part I<br \/>34. The Hedge Maze Part II<br \/>35. Old Ghosts<br \/>26. We Go On<\/p>\n<p> <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/doctor-sleep-soundtrack-906341\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Doctor Sleep may be the sequel to The Shining, but it\u2019s still very much its own book: The horrors aren\u2019t just related to the Overlook Hotel and its ghosts, but also (spoiler alert) a roving pack of vampire-like creatures that feast on children who possess that psychic glimmer knowing as the shining. As such, the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[],"class_list":["post-491753","post","type-post","status-publish","format-standard","category-music-news"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-08-22 05:18:02","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KQZR - The Reel","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kqzr","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/491753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/comments?post=491753"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/posts\/491753\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/media?parent=491753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/categories?post=491753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kqzr\/wp-json\/wp\/v2\/tags?post=491753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}