{"id":797428,"date":"2019-07-08T12:35:42","date_gmt":"2019-07-08T18:35:42","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=856396"},"modified":"2019-07-08T12:35:42","modified_gmt":"2019-07-08T18:35:42","slug":"james-henke-rolling-stone-writer-and-rock-and-roll-hall-of-fame-chief-curator-dead-at-65","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/ksmt\/music-news\/james-henke-rolling-stone-writer-and-rock-and-roll-hall-of-fame-chief-curator-dead-at-65\/","title":{"rendered":"James Henke, Rolling Stone Writer and Rock and Roll Hall of Fame Chief Curator, Dead at 65"},"content":{"rendered":"
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James Henke, a Rolling Stone<\/em> writer and editor who worked at the magazine from 1977 to 1993 and wrote groundbreaking stories on U2, Bruce Springsteen, Eric Clapton, Neil Young, the Clash and others before leaving to become Chief Curator at the Rock and Roll Hall of Fame, died peacefully in his sleep on Monday morning from complications related to dementia. He was 65.<\/p>\n

\u201cJim was a friend for many years and I owe him for his stewardship of the Rolling Stone<\/em> music section for many years and then taking the responsibility of helping to found the Rock and Roll Hall of Fame,\u201d Rolling Stone founder Jann Wenner says. \u201cHe will be missed by all of us.\u201d<\/p>\n

Henke was a very early champion of U2 and wrote the first profile of them for American audiences, shortly before the release of their debut album Boy<\/em> in 1981. \u201cTheir highly original sound can perhaps best be described as pop music with brains,\u201d Henke wrote in a Rolling Stone<\/em> article headlined U2: Here Comes the Next Big Thing.<\/a> \u201cIt\u2019s accessible and melodic, combining the dreamy, atmospheric qualities of a band like Television with a hard-rock edge not unlike the Who\u2019s.\u201d<\/p>\n

A few years later, Henke gave Bono the MLK biography Let The Trumpet Sound: A Life Of Martin Luther King, Jr<\/em>, inspiring the U2 frontman to write the group\u2019s 1984 classic \u201cPride (In The Name of Love),\u201d a fact that Bono rarely failed to mention onstage whenever U2 played Henke\u2019s hometown of Cleveland.<\/p>\n

Henke began working at Rolling Stone<\/em> shortly after graduating from Ohio Wesleyan University. Early news articles on wireless microphones, defective vinyl records and the tragedy at the Who\u2019s 1979 show in Cincinnati that left 11 fans dead lead to substantial profiles of the Police, Jerry Garcia, Queen and many others. He had an incredible ability to spot talent before they caught on with the rest of the American rock press, as evidenced by his profile of the Smiths in June 1984, just months after the release of their debut LP.<\/p>\n

\u201cFrom the start, Morrissey and [Johnny] Marr\u2019s goal was to write songs that were accessible and thought-provoking,\u201d he wrote in the article The Smiths: Out to Save Rock & Roll.<\/a> \u201cFor the most part, they\u2019ve succeeded. The music on The Smiths<\/em> is simple, guitar-dominated rock. No synthesizers. No fancy production. The only thing that stops it from being ready for American radio is Morrissey\u2019s voice. He doesn\u2019t really sing so much as he speaks the lyrics in an often droning monotone that can be irritating.\u201d<\/p>\n

In 1988, Henke took time away from Rolling Stone<\/em> to travel the world on the Amnesty International Human Rights Now!<\/em> tour alongside Bruce Springsteen & The E Street Band, Peter Gabriel, Tracy Chapman and Youssou N\u2019Dour. He chronicled the historic tour in the 1988 book Human Rights Now!.<\/em> (His other books include Marley Legend: An Illustrated Life of Bob Marley, Lennon Legend: An Illustrated Life of John Lennon<\/em> and The Jim Morrison Scrapbook<\/em>.)<\/p>\n

Shortly before leaving Rolling Stone<\/em> to become the Vice President of Product Development at Elektra Records, he conducted one of the most unguarded interviews of Bruce Springsteen\u2019s career.<\/a> It touched on everything from his painful divorce to his decision to fire the E Street Band and start seeing a therapist. \u201cI went all over the world with Bruce, literally, on the Amnesty International tour and he trusted me,\u201d Henke told Rolling Stone<\/em> in 2017. \u201cThat really paid off in terms of helping me do the story and asking tough questions and getting honest answers. People were shocked when they read it, even at Rolling Stone<\/em>. They were amazed that I was able to dig so deeply into him.\u201d<\/p>\n

At Elektra Records, Henke worked with Jackson Browne, Moby and the Breeders, but in 1994 he left to become the Chief Curator at the Rock and Roll Hall of Fame. He played a crucial role in acquiring the museum\u2019s permanent collection and he ran the curatorial department until 2012. During that time he oversaw countless exhibits, including In the Name of Love: Two Decades of U2<\/em>, From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen<\/em>, Lennon: His Life and Work<\/em> and Roots, Rhymes and Rage: The Hip-Hop Story.<\/em> The latter was the first major museum exhibit devoted to hip-hop.<\/p>\n

\u201cWe are so grateful for the life we spent with our father,\u201d his sons Arthur Henke and Chris Henke said in a statement. \u201cHis legacy of generosity and passion for music lives on in the lives of everyone he touched through his writing.\u201d<\/p>\n

via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

James Henke, a Rolling Stone writer and editor who worked at the magazine from 1977 to 1993 and wrote groundbreaking stories on U2, Bruce Springsteen, Eric Clapton, Neil Young, the Clash and others before leaving to become Chief Curator at the Rock and Roll Hall of Fame, died peacefully in his sleep on Monday morning […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[98],"tags":[],"class_list":{"0":"post-797428","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-23 03:45:19","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KSMT The Mountain","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/ksmt","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/posts\/797428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/comments?post=797428"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/posts\/797428\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/media?parent=797428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/categories?post=797428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/tags?post=797428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}