{"id":805607,"date":"2020-03-24T09:10:52","date_gmt":"2020-03-24T15:10:52","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=972070"},"modified":"2020-03-24T09:10:52","modified_gmt":"2020-03-24T15:10:52","slug":"manu-dibango-african-jazz-great-behind-soul-makossa-dead-at-86-from-coronavirus","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/ksmt\/music-news\/manu-dibango-african-jazz-great-behind-soul-makossa-dead-at-86-from-coronavirus\/","title":{"rendered":"Manu Dibango, African Jazz Great Behind \u2018Soul Makossa,\u2019 Dead at 86 From Coronavirus"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2020\/03\/manu-dibango.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p class=\"p1\">Manu Dibango, the acclaimed Cameroonian saxophonist whose 1972 hit \u201cSoul Makossa\u201d would later be sampled by Michael Jackson, Kanye West and dozens of other musicians, died Tuesday from the <a href=\"https:\/\/www.rollingstone.com\/t\/coronavirus\/\" id=\"auto-tag_coronavirus\" data-tag=\"coronavirus\">coronavirus<\/a>. He was 86.<\/p>\n<p class=\"p1\">A note on Dibango\u2019s <a href=\"https:\/\/www.facebook.com\/ManuDibangoOfficiel\/posts\/2643947235837697?__xts__%5B0%5D=68.ARBSV7IAYFEd7dno0ULuTdzbJUG-xJcPdpiDN57oK3uGEg_z2EAQX1rfcogkReLCRJJNpjz0EEchz8XP9-DNBscBqlOdsqaScYAhkpDGRJwPj3Az6jZQ3CtRXfLrGaAYAPjrIWZVWPSFMbps2YXVYLZRW32Ku2_Ki3ajA65Aw6KbbMxIzPQu_HK6dI7iRNlIaozPYlN14dxE-7aQL-MUiBOnsGpajnNZgIrvYrlkwymWsR2kasdaWZ1tcuP9rnifzjeav3WxyPIY80ENOVRbLGxXBNwMbNdqTrsHcWxnkYvz1xp9mWB4B6ZMiLg7__2ENN8PUTmLTE0LxWm80ULvLa6c&amp;__tn__=-R\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Facebook<\/a> page confirmed his death, as well as the cause (Dibango <a href=\"https:\/\/www.facebook.com\/ManuDibangoOfficiel\/posts\/2638734656358955?__xts__%5B0%5D=68.ARASC3OP5CiEzQ4VSH_poApowB9YqBs7U-WURwU-wjvRsKT3PYWE815QinEY2K8tjFd6eBjLdfCEXHzBarYn0JAroySO4tHjibld_6GRUeUhDuxK5j62vqu1j2kS9N5MvBEnlj0F4Ay4RZPqP8xzx4cl-KjnjLb481_O8jJ-fxLdhkQ2CbVutnLL1UGCP9Bdzcag_rhUMXB6kDp6sZfhvjwNV_Qbfz534kAsNonwjPW0QQropJxbZzvR8Oi589b1it3L7oryUSuSf3ltaoyL9lq7Y8xKPUK9kSAm8QVybxtlTxs8RIZdBZcTaRtAX44dAwSAehdMrNfycT-Ue4_g9g5i&amp;__tn__=-R\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">was hospitalized<\/a> in France last week with <a href=\"https:\/\/www.rollingstone.com\/t\/covid-19\/\" id=\"auto-tag_covid-19\" data-tag=\"covid-19\">Covid-19<\/a>). The note said the funeral would be a private family event, but suggested a tribute would be scheduled soon. Fans were also encouraged to send condolences to manu@manudibango.net.<\/p>\n<p class=\"p1\">Dibango was born in Cameroon in 1933 and moved to Paris at the age of 15, where he began to play the saxophone and piano. By the early Fifties, he was gigging around Paris and would soon become a regular on the European jazz circuit. His recording career<span class=\"Apple-converted-space\">&nbsp;<\/span>began in 1968, with a self-titled album, and in 1972, during a trip to New York, he would write and record his most famous song, \u201cSoul Makossa.\u201d<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/o0CeFX6E2yI?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p class=\"p1\">The song was originally just a B-side to an original anthem Dibango had written to honor Cameroon\u2019s success in \u2013 and hosting of \u2013 the 1972 Africa Cup of Nations football tournament. Its popularity grew, however, after famed disco DJ David Mancuso <a href=\"https:\/\/www.theguardian.com\/music\/2016\/nov\/15\/david-mancuso-the-loft-egalitarian-utopia\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">reportedly found<\/a> a copy of the seven-inch single in a Brooklyn record shop and turned it into a local hit at his dance parties at famed New York club the Loft. The song was soon so in-demand, yet so hard to find, that bootlegs flooded the market. (At one point, nine different versions of \u201cSoul Makossa\u201d were on the <i>Billboard<\/i> chart at once.) The track also helped earn Dibango his only two <a href=\"https:\/\/www.grammy.com\/grammys\/artists\/manu-dibango\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Grammy nominations<\/a> \u2013 Best R&amp;B Instrumental Composition and Best R&amp;B Instrumental Performance for his album \u2013 for his <i>Soul Makossa <\/i>LP.<\/p>\n<p class=\"p1\">In 1982, Michael Jackson and Quincy Jones <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/thriller-how-michael-jackson-and-quincy-jones-made-the-bestselling-album-of-all-time-199391\/\">sampled and tweaked<\/a> the song\u2019s central refrain \u2014 \u201cma-mako, ma-ma-sa, mako-mako ssa\u201d \u2014 on <em>Thriller<\/em>\u2018s \u201cWanna Be Startin\u2019 Somethin&#8217;\u201d (Dibango was originally not credited on the song and sued Jackson, but the pair eventually settled out of court.) From there, the chant would become a hip-hop staple, appearing in tracks likes Kanye West\u2019s \u201cLost in the World,\u201d Will Smith\u2019s \u201cGettin\u2019 Jiggy Wit It,\u201d A Tribe Called Quest\u2019s \u201cRhythm (Devoted to the Art of Moving Butts)\u201d and Jay-Z\u2019s \u201cFace-Off.\u201d Rihanna would also famously sample the track for her 2002 hit \u201cDon\u2019t Stop the Music.\u201d<\/p>\n<p class=\"p1\">Dibango was prolific throughout his career, touring regularly and often releasing multiple albums in a single year. He was still recording as recently as 2017, when he teamed with one of his musical progeny, Mozambican jazz saxophonist Moreira Chongui\u00e7a, for the collaborative album, <i>M&amp;M<\/i>. Over the course of his career, Dibango also collaborated with an array of artists like Peter Gabriel, Herbie Hancock, Fela Kuti and Ladysmith Black Mambazo.<\/p>\n<p class=\"p1\">Dibango was a pivotal part of the wave that helped bring African music to the world. In a 1995 interview with <a href=\"https:\/\/www.nytimes.com\/1995\/01\/24\/style\/IHT-manu-dibangoat-home-everywhere-and-nowhere.html\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><i>The New York Times<\/i><\/a>, he spoke about watching the African scene\u2019s old foothold in France disappear and become a global phenomenon as both the African diaspora spread and the continent began to shake off its colonial past.<\/p>\n<p class=\"p1\">\u201cNow the African scene is no longer strictly Francophonic,\u201d Dibango said. \u201cThe new \u2018zero immigration\u2019 policy makes it harder for the musicians to come to France to study and work. They go to London and New York, where the money is in any case. You can find African restaurants all over the United States now. What\u2019s going to happen to the spirituality of African music remains to be seen, but it\u2019s no longer France first. The artistic migration is going elsewhere. You cannot separate culture from politics. In my opinion the entire Franco-African political game is changing. Africa is no longer a collection of ex-colonies. Africa is Africa.\u201d<\/p>\n<p> <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/manu-dibango-africa-jazz-soul-makossa-dead-obit-coronavirus-972070\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Manu Dibango, the acclaimed Cameroonian saxophonist whose 1972 hit \u201cSoul Makossa\u201d would later be sampled by Michael Jackson, Kanye West and dozens of other musicians, died Tuesday from the coronavirus. He was 86. A note on Dibango\u2019s Facebook page confirmed his death, as well as the cause (Dibango was hospitalized in France last week with [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[98],"tags":[],"class_list":{"0":"post-805607","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-18 13:27:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KSMT The Mountain","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/ksmt","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/posts\/805607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/comments?post=805607"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/posts\/805607\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/media?parent=805607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/categories?post=805607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/tags?post=805607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}