{"id":805883,"date":"2020-03-31T11:05:35","date_gmt":"2020-03-31T17:05:35","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=974764"},"modified":"2020-03-31T11:05:35","modified_gmt":"2020-03-31T17:05:35","slug":"flashback-what-the-hell-were-the-rock-music-awards-in-1975","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/ksmt\/music-news\/flashback-what-the-hell-were-the-rock-music-awards-in-1975\/","title":{"rendered":"Flashback: What the Hell Were the \u2018Rock Music Awards\u2019 in 1975?"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2020\/03\/rockmusicawards.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p>Five months after the 1975 Grammys, <a href=\"https:\/\/www.rollingstone.com\/t\/elton-john\/\" id=\"auto-tag_elton-john\" data-tag=\"elton-john\">Elton John<\/a> and <a href=\"https:\/\/www.rollingstone.com\/t\/diana-ross\/\" id=\"auto-tag_diana-ross\" data-tag=\"diana-ross\">Diana Ross<\/a> drove onto the Santa Monica Civic Auditorium stage in a futuristic-looking golf cart to host a ludicrous awards show that has been forever lost to time.<\/p>\n<p>Producer-manager-impresario Don Kirshner, who had long since earned his bona fides as the capo of the Brill Building, manager of the Monkees and, later, as the <a href=\"https:\/\/www.youtube.com\/watch?v=u6UsCDzkAGM\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">dry host of <em>Don Kirshner\u2019s Rock Concert<\/em><\/a> that featured countless A-list acts, was looking for an alternative to the Grammys. He had the clout to get numerous superstars to attend on August 9th, 1975, and, with John and Ross onboard as hosts, was ready to make a play for the industry\u2019s most dominant, yet worthless, perennial spectacle.<\/p>\n<p>It didn\u2019t work out that way.<\/p>\n<p>While it only went on<strong>&nbsp;<\/strong>three years, the cleverly titled \u201cRock Music Awards\u201d (which Linda Ronstadt would call the <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/linda-ronstadt-the-million-dollar-woman-35416\/\">\u201cWho Cares\u201d Awards<\/a> in a <em>Rolling Stone<\/em> interview the following year) was a loose, gloriously insane affair melding the debauchery of the Golden Globes with the scripted dad-joke hamminess of any other award show. (\u201cGood evening, everybody in TV land, I\u2019m Captain Fantastic,\u201d John says in his opening line. Ross\u2019 response: \u201cAnd I\u2019m general delivery!\u201d ZING!)<\/p>\n<p><strong>Rock Music Awards \u2013 Part 1<\/strong><\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/C2oM8Pv1fjw?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p>John, frequently rubbing his nose, flies through the opening bit with Ross in a master class of unintentional hilarity, revealing that the winner\u2019s card will be displayed via a bleeping, blinking podium that sounds like a robot in a D-level 1950s sci-fi film. Oh, and the award itself&nbsp;is not a trophy, but a medallion called \u2026 a Rocky. John will go on to read aloud the cue-card instructions (\u201c\u2018He starts to read from scroll,\u2019 it says\u201d) and ask, \u201cDo we have to say this?\u201d at one point during a bit on the history of rock music. Yes, Elton. You do. Go on.<\/p>\n<p>\u201cTonight, ladies and gentlemen, at last, rock &amp; roll, the most dominant form of music in America, <em>finally <\/em>has its own rock award show which recognizes and salutes its own stars,\u201d Ross says. She\u2019s an odd choice to host, given that her music oftentimes supplanted rock rather than embraced it, but she\u2019s Miss Diana Ross who opened her 1983 Central Park show <a href=\"https:\/\/www.youtube.com\/watch?v=dI03UJEbwqg\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">like this<\/a>, so Kirshner gets a pass.<\/p>\n<p>To be fair, other genres were threatening rock as the country\u2019s \u201cmost dominant form of music.\u201d Yes, now-lauded albums by Neil Young (<em>Tonight\u2019s the Night<\/em>), Bob Dylan (<em>Blood on the Tracks<\/em>, <em>The Basement Tapes<\/em>), Fleetwood Mac (<em>Fleetwood Mac<\/em>), and David Bowie (<em>Young Americans<\/em>) had all been released<strong>&nbsp;<\/strong>in recent months \u2014 and <em>Born to Run<\/em> was only two weeks away. But the elder, white, male keepers of the music industry were increasingly seeing disco \u2014 a sound that grew out of clubs predominantly populated by black, latino, gay and other marginalized attendees \u2014 as a potential mainstream threat. Earlier that year, the Andy Williams\u2013hosted Grammys had given out big-award trophies to decidedly non-rockers Olivia Newton-John, Marvin Hamlisch, and Barbra Streisand. The Ramones\u2019 first album was still eight months away. You see where this is going.<\/p>\n<p>But rather than embrace other sounds, the scions of the music business played the victim, choosing to self-isolate for 90 minutes on a big stage. (In a fantastic plot twist, \u201cJive Talkin\u2019,\u201d the track that would help catapult the Bee Gees into disco and world dominance, was the number one song in the country on the night of the awards.) Still, the award show found time for Kiki Dee, the Manhattan Transfer, and Tony Orlando and Dawn to either perform or present. For those about to schlock, we salute you.<\/p>\n<p>It gets amazingly weirder from there. Ann-Margaret and Roger Daltrey, promoting the unwatchable-unless-stoned <em>Tommy<\/em>, come out in what looks like a <a href=\"https:\/\/youtu.be\/KEMlmFg82b0?t=40\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">spoiled rich kid\u2019s toy fire truck<\/a>. (<em>Tommy<\/em> will win \u201cBest Rock Movie or Theatrical Presentation\u201d later that night in a sign of what we\u2019re dealing with here.) <a href=\"https:\/\/youtu.be\/9Qlso5EDeYQ?t=1800\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Cher calls Elton an \u201cold tart\u201d<\/a> before giving him the coveted (??) Outstanding Rock Personality of the Year award. Alice Cooper looks like a <a href=\"https:\/\/www.sickthingsuk.co.uk\/07-timelines\/clippings\/1975-08-09%20%5BAwards%202%5D.jpg\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">porn star playing a cop.<\/a> Keith Moon, previously known tonight for <a href=\"https:\/\/youtu.be\/9Qlso5EDeYQ?t=935\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">terrorizing his petrified co-presenter Olivia Newton-John<\/a>, makes a joke about having sex with a spaced-out Joe Walsh as the camera cuts to a \u2026 confused Ella Fitzgerald? Chuck Berry, sporting a mustache that looks like it needs to check in with a probation officer every month, becomes the first person \u2014 and one of the last \u2014to <a href=\"https:\/\/youtu.be\/9Qlso5EDeYQ?t=1546\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">get inducted into something called the \u201cRock Music Hall of Fame\u201d<\/a> (not to be confused with the Rock &amp; Roll Hall of Fame).<\/p>\n<p>There is, however, one classy moment before the show continues to unravel: Stevie Wonder, fresh off an Album of the Year Grammy for <em>Fulfillingness\u2019 First Finale<\/em>, <a href=\"https:\/\/youtu.be\/9Qlso5EDeYQ?t=1105\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">asks the audience to pause and remember jazz great Cannonball Adderly<\/a>, who died earlier that day. The class will not last.<\/p>\n<p>Writing for the <em><a href=\"https:\/\/www.nytimes.com\/1975\/08\/17\/archives\/tv-view-the-rock-awards-a-lumpy-grab-bag.html\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">New York Times<\/a><\/em>, critic John Leonard called the show a \u201clumpy grab bag.\u201d \u201cMiss Ross looked vaguely Egyptian, perhaps because her hair had been shaped into a pyramid. She also looked vague, period, as though she had been eating hairspray before the program,\u201d he wrote. \u201cEverything was over in an hour and a half, which would be commendable were it not for the fact that this was accomplished by leaving out most of the music. Surely viewers could have been spared the appearance of either Sonny or Cher, or both, in order to hear some more of the music the program ostensibly sought to honor.\u201d<\/p>\n<p>Ross would <a href=\"https:\/\/www.youtube.com\/watch?v=ufrsGCUZgEk\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">return the next year<\/a> to host the show alongside Cooper and <a href=\"https:\/\/www.youtube.com\/watch?v=iaRK8dkez1E\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">awkwardly give a \u201cPublic Service Award\u201d to Lynyrd Skynyrd.<\/a> The show would be held for one more year in 1977 before becoming an obscure footnote in rock history. We will sadly probably never have a Rock Music Awards again, but we\u2019ll always have footage of Olivia Newton-John desperately saying with her eyes, \u201cPlease. Anybody. Get Keith Moon away from me.\u201d<\/p>\n<p><strong>Rock Music Awards \u2013 Part 2<\/strong><\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/KEMlmFg82b0?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p><strong>Rock Music Awards \u2013 Part 3<\/strong><\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/p4uHKNNd-vY?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p><strong>Rock Music Awards \u2013 Part 4<\/strong><\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/9GeiNpXgrs0?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p><strong>Rock Music Awards \u2013 Part 5<\/strong><\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/NzpliCIDAWg?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p> <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/rock-music-awards-elton-john-diana-ross-974764\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Five months after the 1975 Grammys, Elton John and Diana Ross drove onto the Santa Monica Civic Auditorium stage in a futuristic-looking golf cart to host a ludicrous awards show that has been forever lost to time. Producer-manager-impresario Don Kirshner, who had long since earned his bona fides as the capo of the Brill Building, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[98],"tags":[],"class_list":{"0":"post-805883","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-17 19:33:47","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KSMT The Mountain","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/ksmt","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/posts\/805883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/comments?post=805883"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/posts\/805883\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/media?parent=805883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/categories?post=805883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/tags?post=805883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}