{"id":806458,"date":"2020-04-16T12:36:50","date_gmt":"2020-04-16T18:36:50","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=984868"},"modified":"2020-04-16T12:36:50","modified_gmt":"2020-04-16T18:36:50","slug":"how-100-live-events-companies-banded-together-to-become-pandemic-responders","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/ksmt\/music-news\/how-100-live-events-companies-banded-together-to-become-pandemic-responders\/","title":{"rendered":"How 100 Live Events Companies Banded Together to Become Pandemic Responders"},"content":{"rendered":"<p>When the <a href=\"https:\/\/www.rollingstone.com\/t\/covid-19\/\" id=\"auto-tag_covid-19\" data-tag=\"covid-19\">COVID-19<\/a> pandemic first struck the live events industry and put all concerts, sports games, and other mass gatherings out of action, three production companies got together to figure out ways they could spend the downtime helping healthcare workers. Their efforts have quickly evolved into a nationwide coalition of thousands of event workers supplying essential supplies.<\/p>\n<p>Live for Life officially launched on Monday as a <a href=\"https:\/\/www.liveforlifec19.com\/\" rel=\"nofollow noopener noreferrer\" target=\"_blank\">coalition of 90 participating companies<\/a>; by Thursday, that was up to 110. Before the pandemic began, all of the companies were helping prepare conferences and conventions, auto shows, music festivals and many other types of large-scale audience events \u2014 putting up tents, graphics and temporary structures. Now they\u2019re offering materials and manpower for 3D-printed medical devices, personal protection equipment parts, and building out larger infrastructure for temporary hospitals.<\/p>\n<p>\u201cWhat we do on an everyday basis is plan and organize large scale events and experiences,\u201d George P. Johnson CEO Chris Meyer, one of the leaders of the coalition, tells <em>Rolling Stone<\/em>. \u201cThat means using the tools, the processes, the training of our people \u2014 this is what we do. We just happen to do that at large-scale conferences or a festival or an auto show or sporting events. But the principles of planning and delivering and moving an event, all of that is transferrable to whatever the needs are.\u201d<\/p>\n<div id=\"attachment_985387\" class=\"wp-caption alignnone\" readability=\"32\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-985387\" class=\"wp-image-985387 size-large\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2020\/04\/image002.png?w=1024\" alt width=\"1024\" height=\"497\"><\/p>\n<p id=\"caption-attachment-985387\" class=\"wp-caption-text\">Courtesy of Live for Life<\/p>\n<\/div>\n<p>Planning began about three weeks ago. The coalition started with three live-event production companies \u2014 George P. Johnson, Exploring Inc., and Czarnowski \u2014 which specialize in production for large-scale events like music festivals, conference, and conventions and usually compete with one another. Seeking an outlet to keep employees working as their usual base of live events shut down, other companies were quick to sign on.<\/p>\n<p>Coalition members are already working on 40 to 50 projects across the country, organizers tell <em>Rolling Stone<\/em>, including helping build the temporary hospital at the Javits Center in New York. Live For Life has frontline workers building out infrastructure where possible, and when that\u2019s not an option, it sends parts and engineering instructions to authorized workers like the U.S. Army Corps of Engineers. The coalition has had preliminary discussions with the Centers for Disease Control and Prevention as well as FEMA for more national assistance, which could further down the line contribute toward more facilities like mass vaccination centers.<\/p>\n<p>The supplies these companies are producing now are a sharp departure from their day-to-day projects, but given how varied designs may be from one larger event to another, the shift is manageable. The most challenging shift for his team, says Czarnowski Vice President of Sales Nick Simonette, was designing PPEs like gowns and masks. Structures for temporary hospitals, he says, was more straightforward. \u201cWe use common materials in uncommon ways,\u201d he says. \u201cPeople are thinking creatively and critically, and that\u2019s fascinating to see.\u201d<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/eZYd0GUE94Q?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p>Event cancellations have taken away much of the companies\u2019 business; several of Live For Life\u2019s companies, including all three of the cofounders, have furloughed workers. Czarnowksi has around 800 full-time and 3,000 part-time workers, but its workforce is for now about 40% of its size. Manufacturing PPE and temporary hospital infrastructure has given the companies the chance to salvage at least some work for a fraction of their employees while contributing to the greater need for essential supplies.<\/p>\n<p>Live event companies are versatile, Meyer says, making them a natural fit to supply resources for needed supplies and infrastructure for the pandemic. Organizers say Live for Life is working at a cost rather than profit, making only enough to pay expenses and employee wages.<\/p>\n<p>While the cofounders say pivoting toward disaster response is a relatively seamless shift for live event producers, they hadn\u2019t handled response like this before. There was little outreach from the federal government for assistance \u2014 but sensing a need, they moved forward to make themselves known. \u201cThey didn\u2019t know about us. We\u2019re the biggest industry you\u2019ve never heard of,\u201d Simonette says. \u201cOur outreach was because we didn\u2019t hear anything. If you look at the methodology to erect these hospitals they\u2019re trying to produce they\u2019re all over the board what the coalition is doing.\u201d<\/p>\n<p>Eventually the crisis will wind down, but coalition cofounders are pondering what\u2019s to become of Live For Life when its services are no longer needed on such a national scale. It\u2019s too early to make those decisions, organizers say, and there\u2019s still much work to be done. Still \u2014 the foundation\u2019s been set for similar work in the future. \u201cDo we unwind it, or does it just sit in the background and wait?\u201d Simonette says. \u201cWhat we\u2019re hoping to do, with disaster recovery \u2014 there\u2019s a protocol that was already set, but there was no protocol for pandemic. We want to be part of the solution so if this happens again, there\u2019s already a playbook.\u201d<\/p>\n<p><strong>Read next: <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/coronavirus-music-business-latest-974262\/\">How Coronavirus Is Wreaking Havoc on Music<\/a><\/strong><\/p>\n<div class=\"pmc-contextual-player\">\n<h3> Popular on Rolling Stone <\/h3>\n<\/p><\/div>\n<p> <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/live-for-life-event-production-disaster-response-984868\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When the COVID-19 pandemic first struck the live events industry and put all concerts, sports games, and other mass gatherings out of action, three production companies got together to figure out ways they could spend the downtime helping healthcare workers. Their efforts have quickly evolved into a nationwide coalition of thousands of event workers supplying [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[98],"tags":[],"class_list":{"0":"post-806458","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-13 23:30:33","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KSMT The Mountain","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/ksmt","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/posts\/806458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/comments?post=806458"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/posts\/806458\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/media?parent=806458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/categories?post=806458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/ksmt\/wp-json\/wp\/v2\/tags?post=806458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}