{"id":2446054,"date":"2019-07-06T00:00:00","date_gmt":"2019-07-06T06:00:00","guid":{"rendered":"https:\/\/www.aspentimes.com\/?p=308954"},"modified":"2019-07-06T00:00:00","modified_gmt":"2019-07-06T06:00:00","slug":"artist-enrique-martinez-celaya-to-premiere-film-about-his-return-to-cuba-in-aspen","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kspn\/local-news\/artist-enrique-martinez-celaya-to-premiere-film-about-his-return-to-cuba-in-aspen\/","title":{"rendered":"Artist Enrique Martinez Celaya to premiere film about his return to Cuba in Aspen"},"content":{"rendered":"
\n
Enrique Martinez Celaya’s “El Portal” on display at the Havan Biennial in April. A documentary about the artist’s return to Cuba will premiere Tuesday at the Baldwin Gallery.<\/strong>
Courtesy photo<\/em><\/figcaption><\/div>\n<\/figure>\n

Enrique Martinez Celaya hadn\u2019t been back to Cuba since his boyhood, 47 years ago, when his family fled to Spain. So when the Los Angeles-based artist returned to his birthplace for the first time in April, it felt like he\u2019d reached a mythic land.<\/p>\n

\u201cThis place may as well have been Olympus or something \u2014 some place you hear about, but never see,\u201d he said this week in Aspen, a few hours after arriving for a summer teaching session at Anderson Ranch Arts Center.<\/p>\n

For his week in Cuba a film crew accompanied Celaya, who will premiere the documentary film \u201cNieve en el Portal,\u201d about the experience, on Tuesday at the Baldwin Gallery in Aspen. Celaya, 55, has been showing his work at the Baldwin<\/a> since the 1990s and has been spending time in Aspen and at Anderson Ranch regularly since then. His experiences at the Ranch inspired his 2015 book \u201cOn Art and Mindfulness: Notes from Anderson Ranch.\u201d<\/a><\/p>\n

His family had opposed Castro\u2019s revolution in Cuba, their home and possessions taken by the government when they left in the early 1970s. Celaya returned to participate in the 13th Havana Biennial, installing a monumental sculpture of a sleigh \u2014 8 feet tall and 16 feet long \u2014 on the Malec\u00f3n in Havana, in a plaza facing the sea.<\/p>\n

He said he hasn\u2019t digested the experience enough yet to make artwork from it, but the documentary is a beginning.<\/p>\n

\u201cIt\u2019s the kind of experience that, as you\u2019re living it, you realize it will take you years to process it,\u201d he said.<\/p>\n

In the week he was there, he installed the sculpture and was received by the art world in the familiar rituals of openings and parties that are part and parcel of being a globally acclaimed artist. But he also made a pilgrimage to the small town of his boyhood and the site of his grandparents\u2019 home \u2014 since destroyed by a hurricane.<\/p>\n

The beaches of his childhood, which have served as inspiration for many of the beach scenes and seascapes in his paintings over the decades, were remarkably familiar.<\/p>\n

\u201cSwimming in that water again was indescribable,\u201d he said. \u201cWhen I jumped in, I was amazed at how much was familiar to me.\u201d<\/p>\n

His sculpture, \u201cEl portal,\u201d or \u201cThe Sleigh,\u201d is constructed of junky metal and wood wedges, inspired by the patchwork on busted cars and tumbledown architecture that defines the aesthetic of the island nation, and the idea of Cuba he\u2019d constructed in his imagination since leaving. He painted it gold.<\/p>\n

The sleigh concept came from a childhood memory, Celaya recalled, of when he was 3 or 4 and he received a small sleigh for Three Kings Day, which follows soon after Christmas and is celebrated with gifts in Cuba. It had been the coveted toy in the limited selection of the Communist country\u2019s holiday shopping offerings.<\/p>\n

\u201cMy parents spent a week in line, trading positions at night and all this stuff, just to get me this sleigh,\u201d he said. \u201cTo me it may as well have been the greatest thing ever.\u201d<\/p>\n

A tumultuous period for the family followed, as the sleigh sat on the porch.<\/p>\n

\u201cThis coincided with the beginning of the conversation in my family to leave for Spain and to ask the government for permission to go,\u201d he said. \u201cThe sleigh became witness to this. And in Cuba, we don\u2019t have snow, we don\u2019t even really know what a sleigh is for, so it represented all that unknown, that other world, that we didn\u2019t understand.\u201d<\/p>\n

He doesn\u2019t have family living in Cuba today. And Celaya was surprised at his reception from Cubans as a native son.<\/p>\n

\u201cI didn\u2019t know how Cubans think of my work, but I realized there are people there that think of me as a Cuban,\u201d he said. \u201cThat was touching. And the emotional response I had to that surprised me.\u201d<\/p>\n

In the months leading up to the trip, Celaya was engrossed in making his sleigh and hadn\u2019t thought deeply about how returning to Cuban soil might feel.<\/p>\n

\u201cI still felt like I was just going to do an art exhibition,\u201d he said, \u201cnot that I was going back to a place I hadn\u2019t been in 47 years. But two weeks beforehand it really hit me what I was doing and what it would mean.\u201d<\/p>\n

He\u2019d been invited back previously to do art shows, he recalled, but nothing had ever felt right. A curator for the biennale had come to Celaya\u2019s shows in Stockholm and in New York in recent years, inviting him to take part and eventually offering a solo spot on the Malec\u00f3n, which inspired him.<\/p>\n

\u201cWhat I realized immediately is that it had to be something related to my experience, my family\u2019s experience and the role of memory and reconstruction in Cuba,\u201d Celaya said.<\/p>\n

\u201cEl portal\u201d is coming back to the U.S. as well, and Celaya plans to include it in a solo exhibition next year at the Hood Museum of Art at Dartmouth College, where he hopes to make a show imagining works of art in his boyhood home.<\/p>\n

The day after Celaya\u2019s return, President Donald Trump announced new restrictions on American travel to Cuba as tensions between the U.S. and Cuba rise again. No U.S.-based artist can make art about Cuba without political implications, but Celaya returned to the U.S. not thinking about geopolitics but about the squalid conditions he saw some Cubans living in today, while the monied class lives a life comparable to the upper crust of Aspen.<\/p>\n

\u201cI came back with a tremendous sense of guilt,\u201d he said. \u201cIt has been almost two months I\u2019ve been back and I have trouble with some of the more lavish parts of my life. \u2026 When somebody gives you easy answers about Cuba, you know they haven\u2019t thought about it deeply enough yet. There are no easy answers. But there is a humanitarian crisis there.\u201d<\/p>\n

atravers@aspentimes.com<\/a><\/p>\n

via:: The Aspen Times<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Enrique Martinez Celaya’s “El Portal” on display at the Havan Biennial in April. A documentary about the artist’s return to Cuba will premiere Tuesday at the Baldwin Gallery.Courtesy photo Enrique Martinez Celaya hadn\u2019t been back to Cuba since his boyhood, 47 years ago, when his family fled to Spain. So when the Los Angeles-based artist […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[49],"tags":[],"class_list":{"0":"post-2446054","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-local-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-20 22:57:37","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KSPN The Valley's Quality Rock","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kspn","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2446054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/comments?post=2446054"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2446054\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/media?parent=2446054"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/categories?post=2446054"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/tags?post=2446054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}