{"id":2446228,"date":"2019-07-11T10:27:03","date_gmt":"2019-07-11T16:27:03","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=857786"},"modified":"2019-07-11T10:27:03","modified_gmt":"2019-07-11T16:27:03","slug":"taylor-swift-brings-spectacle-avoids-controversy-at-amazon-music-concert","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kspn\/music-news\/taylor-swift-brings-spectacle-avoids-controversy-at-amazon-music-concert\/","title":{"rendered":"Taylor Swift Brings Spectacle, Avoids Controversy at Amazon Music Concert"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2019\/07\/Taylor.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p>In the 1950s, an iconoclastic quantum scientist and mathematician named Hugh Everett developed the many-worlds theory, a controversial idea that would lay the groundwork for a canon of alternate universe sci-fi detailing parallel dimensions. Everett\u2019s work focused on the splits in the universe caused by measuring quantum objects.<\/p>\n<p>On Wednesday night, a packed Hammerstein Ballroom turned out to see <a href=\"https:\/\/www.rollingstone.com\/t\/taylor-swift\/\" id=\"auto-tag_taylor-swift\" data-tag=\"taylor-swift\">Taylor Swift<\/a>, <a href=\"https:\/\/www.rollingstone.com\/t\/dua-lipa\/\" id=\"auto-tag_dua-lipa\" data-tag=\"dua-lipa\">Dua Lipa<\/a>, SZA and <a href=\"https:\/\/www.rollingstone.com\/t\/becky-g\/\" id=\"auto-tag_becky-g\" data-tag=\"becky-g\">Becky G<\/a> for <a href=\"https:\/\/www.rollingstone.com\/t\/amazon\/\" id=\"auto-tag_amazon\" data-tag=\"amazon\">Amazon<\/a> Music\u2019s annual Prime Day Concert. I don\u2019t know how many people in the audience have nerded out on Everett\u2019s theory, but a bastardized version played out as Swift brought her stadium show to a far more intimate gathering.<\/p>\n<p>In one universe, Taylor Swift the consummate businesswoman has been publicly airing out her grievances over music manager Scooter Braun\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-scooter-braun-scott-borchetta-explainer-853424\/\">purchase of her former record label Big Machine<\/a> and, subsequently, the master recordings for her first six albums. \u201cThis is my worst case scenario,\u201d she <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-scooter-braun-big-machine-worst-case-scenario-853836\/\">wrote late last month<\/a> on Tumblr. \u201cAll I could think about was the incessant, manipulative bullying I\u2019ve received at [Braun\u2019s] hands for years.\u201d For the music industry, it\u2019s the closest we have to a hot war, with pop stars taking sides in Braun v. Swift like it\u2019s the last two minutes of Michael Jackson\u2019s \u201cBeat It\u201d video. In one sense, it\u2019s very inside baseball, with \u201cindustry insiders,\u201d shadowy cabals of kingmakers and the rest of the music industry all watching a typically backroom deal play out in a public setting.<\/p>\n<p>In Wednesday night\u2019s alternate universe, though, royalty rates, deal points, masters ownership and the like did not exist, as Swift\u2019s nine-song, 45-minute set eschewed the recent dirty laundry to focus on fan favorites that blended the intimate with the spectacle. (Almost. As <a href=\"https:\/\/www.elle.com\/culture\/celebrities\/a28361670\/taylor-swift-shake-it-off-scooter-braun-lyric-prime-day-concert\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><em>Elle<\/em> points out<\/a>, Swift did \u201clike\u201d a Tumblr comment noting her enunciated yelling of \u201cLiars and the dirty, dirty cheats of the world\u201d in set closer \u201cShake It Off.\u201d)<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\" readability=\"7.1291866028708\">\n<p lang=\"en\" dir=\"ltr\" xml:lang=\"en\">? | Taylor yelling the lyrics \u201cliars and dirty, dirty cheats of the world\u201d during Shake It Off <a href=\"https:\/\/twitter.com\/hashtag\/PrimeDay?src=hash&amp;ref_src=twsrc%5Etfw\" rel=\"nofollow noopener noreferrer\" target=\"_blank\">#PrimeDay<\/a> (vid via <a href=\"https:\/\/twitter.com\/dontblaimee?ref_src=twsrc%5Etfw\" rel=\"nofollow noopener noreferrer\" target=\"_blank\">@dontblaimee<\/a>) <a href=\"https:\/\/t.co\/6uhzmJwKX3\" rel=\"nofollow noopener noreferrer\" target=\"_blank\">pic.twitter.com\/6uhzmJwKX3<\/a><\/p>\n<p>\u2014 Taylor Swift News (@TSwiftNZ) <a href=\"https:\/\/twitter.com\/TSwiftNZ\/status\/1149163515858444288?ref_src=twsrc%5Etfw\" rel=\"nofollow noopener noreferrer\" target=\"_blank\">July 11, 2019<\/a><\/p>\n<\/blockquote>\n<p>Heavy is the head that <a href=\"https:\/\/youtu.be\/fzPpZwSDcRo?t=18\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">wears the gown<\/a>. But Swift knew why her fans were there. While Dua Lipa, SZA and Becky G all admirably welcomed the intimacy afforded the venue \u2014 a H-shaped stage that extended to the middle of the floor made a relatively small space look even smaller \u2014 Swift brought her massive stadium show to a diminished setting. Opener \u201cME!\u201d featured pyrotechnics that augmented her four back-up singers. Smoke billowed out of machines on \u201cI Knew You Were Trouble\u201d and \u201cShake It Off\u201d featured inordinate amounts of confetti raining down on the shrieking crowd. (Swift gets bonus points, it should be noted, for using live music when the other three acts featured band members gamely pantomiming their instruments while pre-recorded music backed each singer. Not all musicians are good actors.)<\/p>\n<p>It was hardly all smoke and pyro, though. Swift utilized the rare small stage to perform \u201cWelcome to New York\u201d with only an acoustic guitar. It\u2019s not unprecedented for her, but seeing it in a venue 1\/10th the size of what she\u2019s used to is the closest most of us will get to a <em>Taylor Swift: Unplugged<\/em> concert. (Amazon live-streamed the event and is <a href=\"https:\/\/www.primevideo.com\/primedayconcert\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">replaying the show<\/a> for a limited time on Prime Video.)<\/p>\n<p><span class=\"embed-youtube\"><iframe loading=\"lazy\" class=\"youtube-player\" type=\"text\/html\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/VqLSX1gVo54?version=3&amp;enablejsapi=1&amp;origin=https:\/\/www.rollingstone.com&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" allowfullscreen=\"true\">[embedded content]<\/iframe><\/span><\/p>\n<p>Still, you never forgot why you were there. Thanks to 360-degree wallpapering, a giant screen in the middle of the stage showcasing their latest shows, and random actors coming out between sets to hype up Prime, Amazon made sure you knew that dad was paying for this party. Call it Amazon\u2019s <a href=\"https:\/\/www.youtube.com\/watch?v=roswPPr2t3U\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201csuperliminal\u201d approach to marketing<\/a>. This is the first show I\u2019ve ever seen in which the crowd exuberantly cheered to the phrase \u201cfree shipping,\u201d as \u201cAcademy Award-watching actress\u201d Jane Lynch genially kept the night moving.<\/p>\n<p>Dua Lipa continues to be a more powerful force on record than on the stage, slithering through \u201cBlow Your Mind,\u201d \u201cOne Kiss\u201d \u201cElectricity\u201d and \u201cIDGAF\u201d with robotic-chic choreography that\u2019s either sophisticated cool or bored insouciance. The Amazon machine is strong, as the singer opened the last song of her 20-minute set with \u201cAlexa, play \u2018New Rules.\u2019\u201d (Incidentally, Alexa \u201crapped\u201d with Jane Lynch earlier. Don\u2019t do that, Amazon. Just. Don\u2019t.)<\/p>\n<p>Becky G showed a confidence and charisma onstage that shows the 22-year-old singer coming into her own. Flanked by a half-dozen dancers, the California native breezed though a set that included \u201cDollar,\u201d \u201cMayores\u201d and \u201cSin Pijama\u201d and&nbsp;was warmly received by the Taylor-dominant crowd. SZA proved her 2017 debut album <em>CTRL<\/em> still has legs, performing \u201cSupermodel,\u201d \u201cBroken Clocks\u201d and \u201cLove Galore\u201d alongside her tour staple cover of Sixpence None the Richer\u2019s \u201cKiss Me.\u201d<\/p>\n<p>But this was Swift\u2019s night; an easy victory on her promo tour for next month\u2019s release of <em>Lover<\/em>. Who knows if she publicly escalates her battle with Braun and Big Machine CEO Scott Borchetta in the run-up to&nbsp;<em>Lover<\/em>\u2018s release. But tonight was Taylor Swift as uncontroversial superstar; and for an adoring crowd, that was all that was needed.<\/p>\n<p><strong>Taylor Swift \u2013 Prime Day Concert Set List<\/strong><\/p>\n<p>1. \u201cME!\u201d<br \/>2. \u201cBlank Space\u201d<br \/>3. \u201cI Knew You Were Trouble\u201d<br \/>4. \u201cLove Story\u201d<br \/>5. \u201cWelcome to New York\u201d<br \/>6. \u201cDelicate\u201d<br \/>7. \u201cStyle\u201d<br \/>8. \u201cYou Need to Calm Down\u201d<br \/>9. \u201cShake It Off\u201d<\/p>\n<p> <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-amazon-prime-music-concert-857786\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the 1950s, an iconoclastic quantum scientist and mathematician named Hugh Everett developed the many-worlds theory, a controversial idea that would lay the groundwork for a canon of alternate universe sci-fi detailing parallel dimensions. Everett\u2019s work focused on the splits in the universe caused by measuring quantum objects. On Wednesday night, a packed Hammerstein Ballroom [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[50],"tags":[],"class_list":{"0":"post-2446228","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-24 10:03:19","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KSPN The Valley&#039;s Quality Rock","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kspn","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2446228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/comments?post=2446228"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2446228\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/media?parent=2446228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/categories?post=2446228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/tags?post=2446228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}