{"id":2448994,"date":"2019-09-21T21:00:00","date_gmt":"2019-09-22T03:00:00","guid":{"rendered":"https:\/\/www.aspentimes.com\/?p=313222"},"modified":"2019-09-23T08:26:50","modified_gmt":"2019-09-23T14:26:50","slug":"bob-rafelson-looks-back-on-his-film-career-life-in-aspen-and-his-lost-masterwork-mountains-on-the-moon","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kspn\/local-news\/bob-rafelson-looks-back-on-his-film-career-life-in-aspen-and-his-lost-masterwork-mountains-on-the-moon\/","title":{"rendered":"Bob Rafelson looks back on his film career, life in Aspen and his lost masterwork \u2018Mountains on the Moon\u2019"},"content":{"rendered":"<div class=\"swift-gallery p402_hide\" readability=\"6.598233995585\">\n<ul id=\"imageGallery-313222-624\" class=\"gallery list-unstyled\">\n<li data-thumb=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-150x150.jpg\" data-src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1.jpg\" data-sub-html=\"Aspen Times file | Director Bob Rafelson photographed in his Castle Creek Valley home in 2004. He has lived in Aspen since 1963.\" class=\"h-100\" readability=\"-1.5\">\n<div class=\"caption\" readability=\"8\">\n<p><strong>Director Bob Rafelson photographed in his Castle Creek Valley home in 2004. He has lived in Aspen since 1963.<\/strong><br \/>Aspen Times file<\/p>\n<\/div>\n<div class=\"row no-gutters h-100\">\n<div class=\"col my-auto\"><img decoding=\"async\" src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1.jpg\" alt=\"Director Bob Rafelson photographed in his Castle Creek Valley home in 2004. He has lived in Aspen since 1963.\"><\/div>\n<\/div>\n<\/li>\n<li data-thumb=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-1-150x150.jpg\" data-src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-1.jpg\" data-sub-html=\"Courtesy photo | Rafelson on the set of\" mountains of the class=\"h-100\" readability=\"-2\">\n<div class=\"caption\" readability=\"7\">\n<p><strong>Rafelson on the set of &#8220;Mountains of the Moon.&#8221;<\/strong><br \/>Courtesy photo<\/p>\n<\/div>\n<div class=\"row no-gutters h-100\">\n<div class=\"col my-auto\"><img decoding=\"async\" src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-1.jpg\" alt=\"Rafelson on the set of \" mountains of the><\/div>\n<\/div>\n<\/li>\n<li data-thumb=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-2-150x150.jpg\" data-src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-2.jpg\" data-sub-html=\"Courtesy photo | Film legend Bob Rafelson will be honored with a lifetime achievement award on Wednesday at Aspen Filmfest.\" class=\"h-100\" readability=\"-1.5\">\n<div class=\"caption\" readability=\"8\">\n<p><strong>Film legend Bob Rafelson will be honored with a lifetime achievement award on Wednesday at Aspen Filmfest.<\/strong><br \/>Courtesy photo<\/p>\n<\/div>\n<div class=\"row no-gutters h-100\">\n<div class=\"col my-auto\"><img decoding=\"async\" src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-2.jpg\" alt=\"Film legend Bob Rafelson will be honored with a lifetime achievement award on Wednesday at Aspen Filmfest.\"><\/div>\n<\/div>\n<\/li>\n<li data-thumb=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-3-150x150.jpg\" data-src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-3.jpg\" data-sub-html=\"Courtesy photo | Rafelson on the set of\" mountains of the which will screen at aspen class=\"h-100\" readability=\"-1.5\">\n<div class=\"caption\" readability=\"8\">\n<p><strong>Rafelson on the set of &#8220;Mountains of the Moon,&#8221; which will screen at Aspen FIlmfest.<\/strong><br \/>Courtesy photo<\/p>\n<\/div>\n<div class=\"row no-gutters h-100\">\n<div class=\"col my-auto\"><img decoding=\"async\" src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-3.jpg\" alt=\"Rafelson on the set of \" mountains of the which will screen at aspen><\/div>\n<\/div>\n<\/li>\n<li data-thumb=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-4-150x150.jpg\" data-src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-4.jpg\" data-sub-html=\"COurtesy photo |\" class=\"h-100\">\n<div class=\"caption\">\n<p>COurtesy photo<\/p>\n<\/div>\n<div class=\"row no-gutters h-100\">\n<div class=\"col my-auto\"><img decoding=\"async\" src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/09\/rafelson-atd-092219-1-4.jpg\" alt><\/div>\n<\/div>\n<\/li>\n<\/ul>\n<p class=\"caption-toggle\"><a href=\"https:\/\/www.aspentimes.com\/news\/bob-rafelson-looks-back-on-his-film-career-his-life-in-aspen-and-his-lost-masterwork-mountains-on-the-moon\/#\" class=\"show-captions\">Show Captions<\/a><a href=\"https:\/\/www.aspentimes.com\/news\/bob-rafelson-looks-back-on-his-film-career-his-life-in-aspen-and-his-lost-masterwork-mountains-on-the-moon\/#\" class=\"hide-captions\">Hide Captions<\/a><\/p>\n<\/div>\n<p class=\"STND-STND BodyText DropCap\">Bob Rafelson\u2019s place in movie history is assured.<\/p>\n<p class=\"STND-STND BodyText\">The Oscar-nominated filmmaker struck the match for the explosive New Hollywood revolution in the late 1960s, his production company foisted \u201cEasy Rider\u201d and \u201cThe Last Picture Show\u201d on the viewing public, he directed the classics \u201cFive Easy Pieces\u201d and \u201cThe King of Marvin Gardens,\u201d and he gave platforms to a litany of actors who launched careers in his movies, from Jack Nicholson and Arnold Schwarzenegger to Jessica Lange and Jennifer Lopez, all of which came after he conceived the pop hit-makers The Monkees and directed their television show.<\/p>\n<p class=\"STND-STND BodyText\">But Rafelson, who has lived in Aspen since 1963 and will be honored with a lifetime achievement award this week at Aspen Filmfest, isn\u2019t interested in burnishing that legend. He\u2019s more concerned with the one that got away: his little-seen 1990 epic <a id=\"N0x2705d50N0x25b3d50:N0x2705d50N0x25c8790\" href=\"https:\/\/www.youtube.com\/watch?v=Vt7Bgp-ORds\">\u201cMountains of the Moon.\u201d<\/a><\/p>\n<p class=\"STND-STND BodyText\">\u201cIt\u2019s my best work and it\u2019s my most personal work,\u201d Rafelson said Friday afternoon in the office of his Castle Creek Valley home.<\/p>\n<p class=\"STND-STND BodyText Subhead\">\u2018THE PICTURE GOT DITCHED\u2019<\/p>\n<p class=\"STND-STND BodyText\">\u201cMountains of the Moon\u201d follows Rafelson\u2019s lifelong hero, the explorer Richard Francis Burton (Patrick Bergin), on his trek to find the source of the Nile River in the 1850s and centers on his fraught relationship with his lieutenant John Hanning Speke (Iain Glen). An epic in the Sam Spiegel\/David Lean tradition, it includes lavish set pieces of tribal raids, unvarnished depictions of horrid disease, creepy insect attacks and some shockingly brutal violence while exploring themes of loyalty, betrayal and masculine hubris set in the operatic high drama of British colonialism.<\/p>\n<p class=\"STND-STND BodyText\">Financed by Carolco Pictures, which had been minting money with the \u201cRambo\u201d series in the 1980s, \u201cMountains of the Moon\u201d got caught up in the production company\u2019s financial collapse and eventual bankruptcy. The film\u2019s theatrical run was botched and it never got a proper home video release.<\/p>\n<p class=\"STND-STND BodyText\">\u201cThe picture got ditched \u2014 that\u2019s the movie business,\u201d Rafelson said of his masterwork. \u201cNobody has ever seen it. It played one week and, boom, it\u2019s gone.\u201d<\/p>\n<p class=\"STND-STND BodyText\">He\u2019s tried to find an audience for the film in the two decades since it flopped.<\/p>\n<p class=\"STND-STND BodyText\">These days, you can\u2019t really see it even if you want to (the only option today is streaming it on iTunes or Amazon, but it\u2019s a travesty of a pan-and-scan transcription of the film that lops off the cinematographer Roger Deakins\u2019 sumptuous photography).<\/p>\n<p class=\"STND-STND BodyText\">Rafelson spent a lifetime studying Burton and his work, spent 12 years developing the film and trekked himself an estimated 800 miles around the African continent following Burton\u2019s footsteps (his home is still peppered with sculpture and art from his travels there). So the film\u2019s disappearance stings for Rafelson.<\/p>\n<p class=\"STND-STND BodyText\">When Aspen Film proposed to honor Rafelson with a lifetime achievement award this year, he pushed for the festival to screen \u201cMountains of the Moon\u201d rather than his better-known \u201cFive Easy Pieces.\u201d It will play Sunday at the Wheeler Opera House.<\/p>\n<p class=\"STND-STND BodyText\">\u201cIt means a great deal to me, to get it seen anywhere these days,\u201d he said. \u201cAnd it\u2019s an Aspen movie. It\u2019s a campfire movie. It\u2019s a picture that I think Aspen might like.\u201d<\/p>\n<p class=\"STND-STND BodyText\">He got Carolco to finance the film as a writer\u2019s strike loomed and they were desperate for filmable scripts \u2014 they actually thought the film would be about Elizabeth Taylor\u2019s husband, the actor Richard Burton \u2014 and Rafelson shot it with a small crew in 10 countries over three months for less than $15 million.<\/p>\n<p class=\"STND-STND BodyText\">\u201cEverybody said, \u2018Oh, you don\u2019t know what\u2019s going to happen,\u2019 \u2018You\u2019ll go way over budget,\u2019\u201d Rafelson recalled. \u201cBut the Africans were totally great.\u201d<\/p>\n<p class=\"STND-STND BodyText\">It has gained a cult following among filmmakers (Francis Ford Coppola among them) and critics (Roger Ebert championed it) as well as here in Aspen. When the Wheeler Opera House was converting to digital projection in 2013, the last actual film projected there was a 70 mm print of \u201cMountains of the Moon,\u201d which filled the theater with locals and brought out Rafelson for a Q&amp;A.<\/p>\n<p class=\"STND-STND BodyText\">As a general rule, he only attends one public screening of each of his films. His initial screening for \u201cMountains of the Moon\u201d was inauspicious. During the 1990 showing he attended at the Ziegfeld Theatre in New York, a woman vomited on him during a scene where a beetle crawls into Speke\u2019s ear.<\/p>\n<p class=\"STND-STND BodyText\">\u201cI thought, \u2018Well, my one and only screening and I\u2019m loaded with stink,\u2019\u201d he recalled. \u201cBut I thought that was a great success that somebody had this kind of uncontrollable response.\u201d<\/p>\n<p class=\"STND-STND BodyText\">Rafelson is now working on a deal to give the film an art house re-release and possibly, finally, a watchable home video and streaming version.<\/p>\n<p class=\"STND-STND BodyText\">Rafelson\u2019s admiration for Burton makes sense when you see the film. The explorer was an anti-establishment figure of his time and a deeply intellectual scholar who could speak two dozens languages but who was also at ease sleeping in the dirt and dodging spears. He\u2019s an apt subject for Rafelson, the Dartmouth graduate with a reputation for fighting and courting danger, who shook up the Hollywood studio establishment.<\/p>\n<p class=\"STND-STND BodyText\">But this decidedly British period piece is also off-brand for Rafelson as a filmmaker and doesn\u2019t fit neatly into the narrative arc of his career. His name, for cinephiles, conjures up the New Hollywood rebellion, the oft-quoted toast-ordering diner scene in \u201cFive Easy Pieces\u201d and the steamy clothes-on sex in \u201cThe Postman Always Rings Twice,\u201d or the counterculture bent of \u201cHead\u201d and \u201cEasy Rider,\u201d the character studies and American regionalism in \u201cFive Easy Pieces\u201d and \u201cThe King of Marvin Gardens.\u201d<\/p>\n<p class=\"STND-STND BodyText\">\u201cMountains of the Moon\u201d may have gotten buried due to industry factors, but it may have struggled to re-emerge because it is not what you think of when you think of a Bob Rafelson picture.<\/p>\n<p class=\"STND-STND BodyText\">An Esquire magazine profile of Rafelson, published in March, gleefully recounted many of his off-screen renegade adventures \u2014 running away from home to ride rodeo out West at age 14, bristling under the strictures of the U.S. Army while stationed in Japan, trekking Africa and the Amazon alone, finding trouble in far-flung global danger zones.<\/p>\n<p class=\"STND-STND BodyText\">Rafelson hasn\u2019t directed a film since 2002, but those adventuring pursuits and his knack for finding intercontinental action continue at age 86.<\/p>\n<p class=\"STND-STND BodyText\">In July, he found himself in the riots in San Juan, Puerto Rico, as a crowd of 400,000 took to the streets seeking to depose Gov. Ricardo A. Rossell\u00f3. Rafelson had traveled to Puerto Rico with his wife, Gaby, and their two teenage sons. They rented an apartment next to the governor\u2019s mansion, where the massive demonstrations began the day they arrived.<\/p>\n<p class=\"STND-STND BodyText\">\u201cSo we got tear-gassed, pepper-sprayed, we\u2019ve got rubber bullets flying on the first f-ing day,\u201d Rafelson recalled.<\/p>\n<p class=\"STND-STND BodyText\">A cellphone video shows the chaotic scene, and a crowd parting for Rafelson, using hiking poles on the cobblestone street amid the throng. As he passes through, the youthful crowds break out in applause for him.<\/p>\n<p class=\"STND-STND BodyText\">\u201cThe only reason whey were applauding was because I was quadruple the age of anyone else in the streets and they saw me every night,\u201d he said. \u201cThey were as young as I was in the \u201960s when I marched.\u201d<\/p>\n<p class=\"STND-STND BodyText\">He relished showing his young sons the historic events up close and clashing with police alongside them. His son Harper, 16, remarked: \u201cDad, you\u2019re famous again.\u201d<\/p>\n<p class=\"STND-STND BodyText Subhead\">WHY ASPEN?<\/p>\n<p class=\"STND-STND BodyText\">Over his decades living full-time here, Rafelson rarely has mixed his Hollywood work with his very private Aspen life, though there have been a few colorful exceptions.<\/p>\n<p class=\"STND-STND BodyText\">He edited \u201cThe King of Marvin Gardens\u201d and \u201cStay Hungry\u201d here, setting up a dock in a rented condo with editor John F. Link.<\/p>\n<p class=\"STND-STND BodyText\">When they finished a rough cut of \u201cMarvin Gardens\u201d in 1970, they invited Aspen to come watch it at the Playhouse Theater.<\/p>\n<p class=\"STND-STND BodyText\">\u201cNa\u00efve as hell, to invite the locals for a preview and see how they like it,\u201d he recalled with a laugh.<\/p>\n<p class=\"STND-STND BodyText\">His friend Hunter S. Thompson, Rafelson remembered, howled throughout the movie and offered a memorably rotten review of its meditative pace: \u201cHe said, \u2018This movie is the best excuse I\u2019ve seen for a cocaine habit.\u2019\u201d<\/p>\n<p class=\"STND-STND BodyText\">Rafelson did a locals\u2019 screening for \u201cStay Hungry\u201d in 1976 when he finished cutting it, too, but someone handed out LSD to the audience and the feedback was less than useful.<\/p>\n<p class=\"STND-STND BodyText\">Rafelson also screened, at the Isis, a pornographic film he directed. The project came during a period when he was blackballed from Hollywood, following an alleged altercation with an executive on the set of the Robert Redford prison drama \u201cBrubaker.\u201d The exec, Richard Berger, claimed Rafelson assaulted him. Rafelson was fired as the film\u2019s director and effectively exiled from the business.<\/p>\n<p class=\"STND-STND BodyText\">\u201cIt was four or five years before I could make a movie,\u201d he recalled. \u201c I was broke. I was black-balled, even from the independents, because they said I hit an executive.\u201d<\/p>\n<p class=\"STND-STND BodyText\">He bounced back in 1981 with his steamy remake of \u201cThe Postman Always Rings Twice,\u201d based on a script by David Mamet with Jessica Lange in the role originated by Marilyn Monroe opposite Nicholson (with whom Rafelson made eight movies; a pivotal car crash scene in their 1996 collaboration \u201cBlood and Wine\u201d is said to have been inspired by the pair flipping a Jeep in the Aspen backcountry).<\/p>\n<p class=\"STND-STND BodyText\">Rafelson first arrived in Aspen in the summer of 1963, tagging along with falsified credentials for an Aspen Institute conference honoring filmmaker Lewis Milestone, of \u201cAll Quiet on the Western Front\u201d fame. (Rafelson got puked on during that trip, too, on a prop plane from Grand Junction, by the director\u2019s wife: \u201cI must look like a repository of some sort.\u201d)<\/p>\n<p class=\"STND-STND BodyText\">His first day in Aspen, he noted, also happened to be the one when his close friend Thompson first arrived here. The pair met when they found themselves in a volleyball match at Aspen Meadows, on a team captained by the novelist James Salter. The trio of world-renowned artists lived here for decades to follow.<\/p>\n<p class=\"STND-STND BodyText\">Enchanted by the remote town\u2019s lawlessness and its uncorrupted beauty, Rafelson stuck around. Between world travels and work in Los Angeles in the mid-\u201960s, he rented a series of places including a Herbert Bayer-built concrete house in the West End, since torn down.<\/p>\n<p class=\"STND-STND BodyText\">\u201cYou could live anywhere then, and cheap,\u201d he recalled of this era before the streets were paved and before Snowmass Village existed.<\/p>\n<p class=\"STND-STND BodyText\">Soon he settled in the Castle Creek Valley, in a home hand-built from mining timbers by in the 1950s by the legendary local mountaineer Lou Dawson, at age 11, with his father. Sitting on more than an acre of land on the creek and wetlands, the home still bears the idiosyncratic signature of its nonprofessional builders \u2014 the odd steel spike in the ceiling here, a beaver-eaten log in a stair railing there.<\/p>\n<p class=\"STND-STND BodyText\">This remote retreat may seem an odd base for a movie writer, director and producer \u2014 far from his industry\u2019s hub in Los Angeles. But for Rafelson, it was ideal. He recalled making the decision with his first wife, Toby, some five decades ago: \u201cMaybe it would be a good idea to get to know one place really well, instead of many places, to get really intimate with the landscape.\u201d<\/p>\n<p class=\"STND-STND BodyText\">Rafelson built a hiking trail along Castle Creek and in the winters would snowshoe on top of the frozen creek up the 10 miles to the Ashcroft ghost town (\u201cI\u2019m not much for skiing,\u201d he said of his relationship with Aspen\u2019s favored winter pastime.)<\/p>\n<p class=\"STND-STND BodyText\">His friends in Aspen \u2014 including longtime Pitkin County Sheriff Bob Braudis, who will serve as Rafelson\u2019s interlocutor at Wednesday\u2019s Filmfest tribute \u2014 didn\u2019t know him as a creature of Hollywood.<\/p>\n<p class=\"STND-STND BodyText\">\u201cI didn\u2019t want to talk about movies here,\u201d he said.<\/p>\n<p class=\"STND-STND BodyText\">He did develop a close friendship with Aspen Film founder Ellen Hunt and accepted the inaugural Independent By Nature award in 1999, but didn\u2019t make a habit of doing public events here or mixing much with the movie star crowd that rolled through town. He hasn\u2019t shown his films to his two teenage sons and generally doesn\u2019t talk movies in the house.<\/p>\n<p class=\"STND-STND BodyText\">When he\u2019s spoken out publicly in Aspen, it\u2019s most often been about conservation issues, local government hypocrisy, development and the like (Rafelson last week sent a letter to a county commissioner about the folly of the ongoing trail project on Castle Creek Road).<\/p>\n<p class=\"STND-STND BodyText\">Standing on his porch, Rafelson pointed up at the pristine forest rising from the valley floor, noting the constant pressure to build more homes on this mountainside and his long fight to protect it from the forces of greed he\u2019s seen transform much of Aspen in the past 56 years.<\/p>\n<p class=\"STND-STND BodyText\">\u201cPreserving this,\u201d he said, \u201cis a war every day of my life.\u201d<\/p>\n<p class=\"STND-STND BodyText Tagline\"><a href=\"mailto:atravers@aspentimes.com\">atravers@aspentimes.com<\/a><\/p>\n<p> <a href=\"https:\/\/www.aspentimes.com\/news\/bob-rafelson-looks-back-on-his-film-career-his-life-in-aspen-and-his-lost-masterwork-mountains-on-the-moon\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: The Aspen Times<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Director Bob Rafelson photographed in his Castle Creek Valley home in 2004. He has lived in Aspen since 1963.Aspen Times file Rafelson on the set of &#8220;Mountains of the Moon.&#8221;Courtesy photo Film legend Bob Rafelson will be honored with a lifetime achievement award on Wednesday at Aspen Filmfest.Courtesy photo Rafelson on the set of &#8220;Mountains [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[49],"tags":[],"class_list":{"0":"post-2448994","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-local-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-27 03:54:38","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KSPN The Valley&#039;s Quality Rock","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kspn","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2448994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/comments?post=2448994"}],"version-history":[{"count":1,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2448994\/revisions"}],"predecessor-version":[{"id":2449032,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2448994\/revisions\/2449032"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/media?parent=2448994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/categories?post=2448994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/tags?post=2448994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}