{"id":2449722,"date":"2019-10-10T11:59:40","date_gmt":"2019-10-10T17:59:40","guid":{"rendered":"https:\/\/www.rollingstone.com\/?p=896283"},"modified":"2019-10-10T11:59:40","modified_gmt":"2019-10-10T17:59:40","slug":"hear-liz-phair-read-an-exclusive-excerpt-from-her-new-memoir-horror-stories","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kspn\/music-news\/hear-liz-phair-read-an-exclusive-excerpt-from-her-new-memoir-horror-stories\/","title":{"rendered":"Hear Liz Phair Read an Exclusive Excerpt From Her New Memoir \u2018Horror Stories\u2019"},"content":{"rendered":"<p>When <a href=\"https:\/\/www.rollingstone.com\/t\/liz-phair\/\" id=\"auto-tag_liz-phair\" data-tag=\"liz-phair\">Liz Phair<\/a> released <em>Exile in Guyville<\/em> in 1993 at 26, she seemingly appeared out of nowhere to shake things up in the male-dominated world of rock &amp; roll. Singing songs like \u201cFuck and Run,\u201d she skewered the Rolling Stones\u2019 macho 1972 classic <em>Exile on Main St.<\/em> \u201cWispy one minute, feral the next,\u201d <em>Rolling Stone<\/em> wrote in its <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/exile-in-guyville-186150\/\">review of the album<\/a>. The following year, she appeared on the <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/liz-phair-a-rock-roll-star-is-born-237877\/\">cover of this magazine<\/a> (dressed in a silky slip) pegged to the release of her sophomore LP, <em>Whip-Smart<\/em>, and the accompanying cover line: \u201cA Rock &amp; Roll Star Is Born.\u201d No pressure.<\/p>\n<p>\u201cIt was the first time in my life that people really stared at me,\u201d she <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/liz-phair-breaks-down-exile-in-guyville-track-by-track-628853\/\">told <em>Rolling Stone<\/em><\/a> with the 25th anniversary reissuing of <em>Exile in Guyville<\/em> in 2018. \u201cIt was a surprise to all of us and none of us handled it very well, myself included. That was the closest I ever got to anorexic.\u201d<\/p>\n<p>Then the world turned on her. She released several more albums, but they were panned critically, received little radio airplay, and she seemed to fade into alt-rock obscurity.<\/p>\n<p>Now 52, Phair\u2019s ready to be reconsidered. This month she released <a href=\"https:\/\/amzn.to\/35rdwUb\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><em>Horror Stories<\/em>,<\/a> the first of two planned memoirs, which looks at how she was catapulted into the limelight as a feminist pioneer and yet continued to be manipulated by men and women in the industry.<\/p>\n<p>In the book she goes further, recounting \u201cthe small indignities we all suffer daily.\u201d As she explains in the introduction: \u201cHorror can be found in brief interactions that are as cumulatively powerful as the splashy heart-stoppers, because that\u2019s where we live most of our lives.\u201d<\/p>\n<p>So while fans will enjoy stories about Phair writing songs and making music, she also reveals ways that falling for \u201cthe perfect guy\u201d can screw you up or, as in the case of this excerpt, the sense of emptiness one can feel while feeling powerful and sexy (while also being objectified) during a photo shoot.<\/p>\n<div id=\"attachment_896418\" class=\"wp-caption aligncenter\" readability=\"34\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-896418\" class=\"size-full wp-image-896418\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2019\/10\/liz-phair-memoir-recording.jpg\" alt width=\"1024\" height=\"683\"><\/p>\n<p id=\"caption-attachment-896418\" class=\"wp-caption-text\">Liz Phair recording the audiobook version of her new memoir, \u201cHorror Stories.\u201d Images courtesy of Penguin Random House<\/p>\n<\/div>\n<p>Phair still remains a symbol of empowerment for her fans. But she also seeks to reveal those moments of vulnerability and complicity; the reason so many are drawn to her music. As she writes later in this same chapter:<\/p>\n<p>\u201cI step in front of the camera and strike saucy poses against the oilcloth backdrop. They\u2019ve got good music playing, and we\u2019re going wherever the moment takes us. The shots look incredible. Everybody leans over the photographer\u2019s shoulder to admire her test prints. She lets me keep a few of the Polaroids. I feel uninhibited and free. But this journey has a destination, and the photographer has a road map for how to get us there. Each subsequent setup is more psychologically intense than the last, until we reach the boundary of my comfort zone. She wants me to make a bold statement about the subjugation of female power, to inhabit a role that makes me feel truly vulnerable. She wants me to embrace bondage. The hesitation in the room tells me that this fork in the road was anticipated. It\u2019s up to me to say yes.\u201d<\/p>\n<p><a href=\"https:\/\/amzn.to\/35rdwUb\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Horror Stories <em>is available now.<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/liz-phair-horror-stories-memoir-exclusive-audio-clip-896283\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: Rolling Stone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Liz Phair released Exile in Guyville in 1993 at 26, she seemingly appeared out of nowhere to shake things up in the male-dominated world of rock &amp; roll. Singing songs like \u201cFuck and Run,\u201d she skewered the Rolling Stones\u2019 macho 1972 classic Exile on Main St. \u201cWispy one minute, feral the next,\u201d Rolling Stone [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[50],"tags":[],"class_list":{"0":"post-2449722","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music-news"},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-13 20:06:13","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KSPN The Valley&#039;s Quality Rock","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kspn","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2449722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/comments?post=2449722"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2449722\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/media?parent=2449722"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/categories?post=2449722"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/tags?post=2449722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}