{"id":2451675,"date":"2019-11-28T18:16:00","date_gmt":"2019-11-29T01:16:00","guid":{"rendered":"https:\/\/www.aspentimes.com\/news\/inside-anderson-ranchs-circle-of-fire\/"},"modified":"2019-11-28T18:16:00","modified_gmt":"2019-11-29T01:16:00","slug":"inside-anderson-ranchs-circle-of-fire","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kspn\/local-news\/inside-anderson-ranchs-circle-of-fire\/","title":{"rendered":"Inside Anderson Ranch\u2019s Circle of Fire"},"content":{"rendered":"<figure class=\"wp-block-image p402_hide\">\n<div class=\"caption-container\"> <img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"691\" src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/11\/bandranch-atd-112919-1-1024x691.jpg\" class=\"attachment-large size-large wp-post-image\" alt srcset=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/11\/bandranch-atd-112919-1-1024x691.jpg 1024w, https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/11\/bandranch-atd-112919-1-300x202.jpg 300w, https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/11\/bandranch-atd-112919-1-768x518.jpg 768w, https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/11\/bandranch-atd-112919-1-1536x1036.jpg 1536w, https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2019\/11\/bandranch-atd-112919-1-2048x1382.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"><figcaption><strong>Jeannie Seybold adds spots of Elmer\u2019s glue to the bottom of ceramic pieces before firing them in the kiln at Anderson Ranch in Snowmass on Wednesday, November 13, 2019. (Kelsey Brunner\/The Aspen Times)<\/strong><br \/><em>Kelsey Brunner\/The Aspen Times<\/em><\/figcaption><\/div>\n<\/figure>\n<p class=\"STND-STND BodyText DropCap\">The kiln yard at Anderson Ranch Arts Center in Snowmass Village is something of a mecca for ceramicists.<\/p>\n<p class=\"STND-STND BodyText\">You can\u2019t find anything like it outside of an art school campus. With a gravel floor and firewood stacked high to the ceiling, this stable of wood- and gas- and hybrid-fired kilns is the largest of its kind in the U.S. outside of an institution of higher learning. During the Ranch\u2019s summertime sessions, it\u2019s a round-the-clock locus of ceramics workshops and a place where high-profile artists, from Tom Sachs to the Haas Brothers, have fired sculptures.<\/p>\n<p class=\"STND-STND BodyText\">But through the rest of the year \u2014 the Ranch\u2019s offseason that stretches from October through April \u2014 the arts center opens its kilns to the local community. Its \u201cCircle of Fire\u201d club \u2014 open to all comers \u2014 convenes once a month to fire up the kilns and make new work.<\/p>\n<p class=\"STND-STND BodyText\">The November edition brought out 10 ceramicists from Aspen, Snowmass, the Roaring Fork Valley and art students from as far as Gypsum making the pilgrimage to the Lyeth\/Lyon Kiln Building.<\/p>\n<p class=\"STND-STND BodyText\">\u201cIt\u2019s fun to be able to introduce people to this,\u201d said Ranch ceramics studio coordinator Louise Deroualle, who oversees the club. \u201cMost people just hear about it by word of mouth.\u201d<\/p>\n<p class=\"STND-STND BodyText\">Artists bring pre-glazed work and convene on the kiln yard for a loading day with Deroualle. On an afternoon in early November, she climbed into the kiln known as \u201cV8,\u201d the eighth version of a hybrid wood- and gas-fired kiln originally named \u201cLittle Vicky\u201d hand-built by the recently retired Anderson Ranch icon Doug Casebeer.<\/p>\n<p class=\"STND-STND BodyText\">Nearby on a long table, an assortment of pre-glazed vases, cups, pots, vessels, plates and sculptures were laid out as Deroualle strategized how to fit them all inside. She evaluated them by height and had artists hand them to her, one by one, as she loaded the kiln in a sort of reverse-Tetris process \u2014 building a row of pieces, placing a shelf on top, then starting another \u2014 until it was filled to its arched brick roof.<\/p>\n<p class=\"STND-STND BodyText\">\u201cIt\u2019s a team effort and it\u2019s a challenge,\u201d Deroualle said.<\/p>\n<p class=\"STND-STND BodyText\">Jeannie Seybold has been a regular at the community firings for the past three years. During the loading process this time around, the task of \u201cwadding\u201d \u2014 placing tiny cylinders of nonstick material on the bottoms of ceramics so they don\u2019t adhere to the kiln \u2014 fell to her.<\/p>\n<p class=\"STND-STND BodyText\">\u201cI\u2019ve been taking workshops for years and I got hooked on clay,\u201d she said.<\/p>\n<p class=\"STND-STND BodyText\">That night, they turned on the gas to heat it up overnight. In the morning at 8 a.m. Deroualle and the crew began stoking it with wood, monitoring the temperature through burning cones inside and a less-reliable thermometer outside, getting it up to roughly 2,400 degrees for the 48-hour firing process.<\/p>\n<p class=\"STND-STND BodyText\">The hybrid kiln is a bit less labor intensive than the pure wood kilns, which require artists to be on hand around the clock stoking it with wood and monitoring the temperature throughout the process. During those firings, club members take shifts to keep the fire going steady overnight.<\/p>\n<p class=\"STND-STND BodyText\">\u201cThey are here for fun, but it requires commitment,\u201d Deroualle said, noting that the kiln yard has strict no-drinking, no-music, no-partying rules. \u201cYou need all your senses.\u201d<\/p>\n<p class=\"STND-STND BodyText\">After a day of firing at 5 p.m., Deroualle sprayed this batch with a sodium solution to glaze the pieces a second time. The flame itself also puts a third glaze on the works and creates a unique effect. The fire acts as a collaborator and can be unpredictable, sometimes surprising artists with its effect by the time they unload the kiln, in this case five days after the loading process.<\/p>\n<p class=\"STND-STND BodyText\">\u201cThe wood flame goes around the piece and makes patterns as it licks each piece, carrying ash from the burning wood,\u201d she explained. \u201cThose ashes start depositing on the pots at high temperature and give it another glaze. That\u2019s the beauty of wood-firing.\u201d<\/p>\n<p class=\"STND-STND BodyText Tagline\"><a href=\"mailto:atravers@aspentimes.com\">atravers@aspentimes.com<\/a><\/p>\n<p><a href=\"https:\/\/www.aspentimes.com\/entertainment\/activities-events\/inside-anderson-ranchs-circle-of-fire\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: The Aspen Times<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jeannie Seybold adds spots of Elmer\u2019s glue to the bottom of ceramic pieces before firing them in the kiln at Anderson Ranch in Snowmass on Wednesday, November 13, 2019. (Kelsey Brunner\/The Aspen Times)Kelsey Brunner\/The Aspen Times The kiln yard at Anderson Ranch Arts Center in Snowmass Village is something of a mecca for ceramicists. You [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[49],"tags":[],"class_list":["post-2451675","post","type-post","status-publish","format-standard","category-local-news"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-08-19 04:23:26","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KSPN The Valley&#039;s Quality Rock","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kspn","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2451675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/comments?post=2451675"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2451675\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/media?parent=2451675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/categories?post=2451675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/tags?post=2451675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}