{"id":2456739,"date":"2020-04-03T16:00:00","date_gmt":"2020-04-03T22:00:00","guid":{"rendered":"https:\/\/www.aspentimes.com\/?p=323776"},"modified":"2020-04-03T16:00:00","modified_gmt":"2020-04-03T22:00:00","slug":"aspen-shortsfest-2020-flower-punk-takes-bouquets-to-space-and-the-deep-sea","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kspn\/local-news\/aspen-shortsfest-2020-flower-punk-takes-bouquets-to-space-and-the-deep-sea\/","title":{"rendered":"Aspen Shortsfest 2020: \u2018Flower Punk\u2019 takes bouquets to space and the deep sea"},"content":{"rendered":"<figure class=\"wp-block-image p402_hide\">\n<div class=\"caption-container\"> <img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/04\/shortsfest1-atd-033020-1-1024x682.jpg\" class=\"attachment-large size-large wp-post-image\" alt srcset=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/04\/shortsfest1-atd-033020-1-1024x682.jpg 1024w, https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/04\/shortsfest1-atd-033020-1-300x200.jpg 300w, https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/04\/shortsfest1-atd-033020-1-768x512.jpg 768w, https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/04\/shortsfest1-atd-033020-1-1536x1024.jpg 1536w, https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/04\/shortsfest1-atd-033020-1-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"><figcaption><strong>Alison Klayman&#8217;s &#8220;Flower Punk&#8221; is screening in Program One of the virtual 2020 Aspen Shortsfest.<\/strong><br \/><em>Courtesy photo<\/em><\/figcaption><\/div>\n<\/figure>\n<p class=\"STND-STND BodyText\">While she was shooting her feature-length documentary about Steve Bannon, the Machiavellian nationalist and Trump campaign architect, filmmaker Alison Klayman was understandably drawn to another film project centered around the timeless beauty of flowers.<\/p>\n<p class=\"STND-STND BodyText\">Thus her 29-minute \u201cFlower Punk,\u201d a transcendent profile of the Japanese flower artist Azuma Makoto, was made while Klayman was at work on her acclaimed Bannon documentary \u201cThe Brink.\u201d<\/p>\n<p class=\"STND-STND BodyText\">\u201cIt served as a counterpoint and, in some ways, a palate cleanser,\u201d Klayman said in a recent phone interview. \u201cIt was very much an opportunity to step away from some very intense and disturbing, upsetting situations and think about the beauty of flowers, the meaning of life and death.\u201d<\/p>\n<p class=\"STND-STND BodyText\">So this gorgeous and transporting new film, which is screening in Program One of the <a id=\"N0x29f3310N0x29f97c0:N0x29f3310N0x2a33d60\" href=\"https:\/\/www.aspentimes.com\/news\/aspen-shortsfest-to-host-oscar-qualifying-film-festival-online\/\">virtual Aspen Shortsfest through April 5<\/a>, is also ideal quarantine viewing to take a break from the latest bad news about the coronavirus pandemic.<\/p>\n<div class=\"row\">\n<div class=\"col\">\n<div class=\"row at-donation at-donation-mobile p-0\">\n<div class=\"col-xl-4 p-2\">\n<div data-bg=\"url(https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/03\/AT-logo-white.png)\" class=\"p-0 mt-2 mb-2 h-75 text-center rocket-lazyload\"><img decoding=\"async\" src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/03\/AT-logo-white.png\" class=\"logo m-0 p-0 invisible\"><\/div>\n<\/div>\n<div data-bg=\"url(https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/03\/at-banner-paypal.jpg)\" class=\"col-xl-8 p-3 text-center rocket-lazyload\">\n<h3 class=\"d-inline mr-3\">Support Local Journalism<\/h3>\n<p><button class=\"btn d-inline\" type=\"button\"><a href=\"https:\/\/www.aspentimes.com\/donate\/?utm_source=article&amp;utm_medium=website&amp;utm_campaign=donation&amp;utm_term=&amp;utm_content=mid-article\">Donate<\/a><\/button><\/div>\n<\/div>\n<p><\/div>\n<\/div>\n<p class=\"STND-STND BodyText\">\u201c\u2019Flower Punk\u2019 is definitely one that can exist in a more inspiring, meditative state,\u201d Klayman said.<\/p>\n<p class=\"STND-STND BodyText\">Shortsfest director of programming Jason Anderson calls Klayman \u201cone of the strongest emerging documentary-makers in the U.S.\u201d<\/p>\n<p class=\"STND-STND BodyText\">Before \u201cThe Brink,\u201d she was best known for films about the art world, which include the 2012 feature \u201cAi Weiwei: Never Sorry\u201d and the 2015 short \u201cThe 100 Years Show,\u201d a profile of minimalist painter Carmen Herrera.<\/p>\n<p class=\"STND-STND BodyText\">She first came across Azuma Makoto\u2019s work with flowers in 2014, when she was living in Tokyo and her friend and cinematographer Mark Silver tipped her off on the his work.<\/p>\n<p class=\"STND-STND BodyText\">Klayman met the artist, spent some time in his studio and knew she wanted to make a film about him.<\/p>\n<p class=\"STND-STND BodyText\">Funding and time for the film came in 2018, when she was in the midst of shooting the Bannon documentary.<\/p>\n<p class=\"STND-STND BodyText\">\u201cFlower Punk\u201d captures how Makoto creates impossible-seeming scenes with flowers in places we\u2019ve never imagined them, tracks his unlikely journey from punk rocker to internationally renowned florist.<\/p>\n<p class=\"STND-STND BodyText\">\u201cI never thought it would be flowers,\u201d Makota admits in the film.<\/p>\n<p class=\"STND-STND BodyText\">It goes inside Makoto\u2019s studio and flower shop with his ultra-hip floral artist team, into the tactile process of procuring, cutting and arranging the flowers and the high-level conceptual work of his fine art projects. We see time-lapses of his elaborate arrangements blooming and dying, follow a mounted camera on his \u201cBack to Earth\u201d project from 2017, which sent a flower arrangement into space and back, and we join his crew on his deep sea project, which took years of work and sent a bouquet of flowers to the bottom of the ocean with cameras and lights to document its surprisingly resilient experience among sea life.<\/p>\n<p class=\"STND-STND BodyText\">And the film follows Makoto during his work in the radioactive areas of the 2011 Fukusihima earthquake and nuclear disaster, where he\u2019s planted fields of sunflowers and used his work to mourn and resurrect life since the tragedy.<\/p>\n<p class=\"STND-STND BodyText\">Klayman has not yet solidified distribution for \u201cFlower Punk,\u201d which made its world premiere at DOC NYC late last year is having its festival run trimmed by COVID-19 cancellations. But Klayman counts herself lucky in one way creatively, as her current documentary projects are mostly archive-based, so she\u2019s able to stay home in Brooklyn and continue to work on them throughout the public health crisis.<\/p>\n<p class=\"STND-STND BodyText\"><a href=\"mailto:atravers@aspentimes.com\">atravers@aspentimes.com<\/a><\/p>\n<p><a href=\"https:\/\/www.aspentimes.com\/entertainment\/aspen-shortsfest-2020-flower-punk-takes-bouquets-to-space-and-the-deep-sea\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: The Aspen Times<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alison Klayman&#8217;s &#8220;Flower Punk&#8221; is screening in Program One of the virtual 2020 Aspen Shortsfest.Courtesy photo While she was shooting her feature-length documentary about Steve Bannon, the Machiavellian nationalist and Trump campaign architect, filmmaker Alison Klayman was understandably drawn to another film project centered around the timeless beauty of flowers. Thus her 29-minute \u201cFlower Punk,\u201d [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[49],"tags":[],"class_list":["post-2456739","post","type-post","status-publish","format-standard","category-local-news"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-08-18 06:22:14","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KSPN The Valley&#039;s Quality Rock","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kspn","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2456739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/comments?post=2456739"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2456739\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/media?parent=2456739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/categories?post=2456739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/tags?post=2456739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}