{"id":2458713,"date":"2020-05-21T16:00:00","date_gmt":"2020-05-21T22:00:00","guid":{"rendered":"https:\/\/www.aspentimes.com\/?p=326005"},"modified":"2020-05-21T16:00:00","modified_gmt":"2020-05-21T22:00:00","slug":"aspen-shortsfest-best-comedy-prizewinner-postcards-from-the-end-of-the-world-may-be-the-short-film-for-our-moment","status":"publish","type":"post","link":"https:\/\/alwaysmountaintime.com\/kspn\/local-news\/aspen-shortsfest-best-comedy-prizewinner-postcards-from-the-end-of-the-world-may-be-the-short-film-for-our-moment\/","title":{"rendered":"Aspen Shortsfest Best Comedy prizewinner \u2018Postcards from the End of the World\u2019 may be the short film for our moment"},"content":{"rendered":"<figure class=\"wp-block-image p402_hide\">\n<div class=\"caption-container\">\n<p><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"380\" src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/05\/bshorts-atd-052220-2-1024x380.jpg\" class=\"attachment-large size-large wp-post-image\" alt srcset=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/05\/bshorts-atd-052220-2-1024x380.jpg 1024w, https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/05\/bshorts-atd-052220-2-300x111.jpg 300w, https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/05\/bshorts-atd-052220-2-768x285.jpg 768w, https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/05\/bshorts-atd-052220-2-1536x571.jpg 1536w, https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/05\/bshorts-atd-052220-2-2048x761.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"><\/p><figcaption><strong>Aspen Shortsfest Best Comedy winner &#8220;Postcards from the Edge of the World&#8221; is one of nine prize-winners streaming Memorial Day weekend.<\/strong><br \/><em>Courtesy photo<\/em><\/figcaption><\/div>\n<\/figure>\n<p class=\"STND-STND BodyText DropCap\">Filmmaker Konstantinos Antonopoulos never imagined viewers would describe his short comedy of the apocalypse as \u201ctimely\u201d or \u201cfamiliar.\u201d But, of course, few people thought they\u2019d experience a global pandemic this spring.<\/p>\n<p class=\"STND-STND BodyText\">The Greek filmmaker\u2019s 23-minute \u201cPostcards from the End of the World,\u201d which won the Best Comedy <a id=\"N0x233b6d0N0x226bc10:N0x233b6d0N0x2252108\" href=\"https:\/\/www.aspentimes.com\/entertainment\/virtual-aspen-shortsfest-awards-announced\/\">prize at the virtual Aspen Shortsfest<\/a> during the early days of the global coronavirus lockdown period, has been drawing attention and praise as viewers see it through the lens of their current experience.<\/p>\n<p class=\"STND-STND BodyText\">It tells the story of a couple, Dimitri and Dimitris, on a beach vacation with their children in the Greek Isles when human civilization collapses. It imagines a situation similar to the one we\u2019ve read about in news stories in recent months, like the ones about American couples stranded on their honeymoons in the Maldives and Sri Lanka as U.S. borders closed in April.<\/p>\n<p class=\"STND-STND BodyText\">\u201cWhat we see in the film is the idea of reality collapsing for people and this feeling of not knowing what\u2019s going to happen tomorrow invading the lives of the characters,\u201d Antonopoulos said in a telephone interview from home in Athens, Greece. \u201cNow that\u2019s something we\u2019ve all experienced to a degree. So it\u2019s become more relevant. It\u2019s funny and it\u2019s tragic.\u201d<\/p>\n<div class=\"row\">\n<div class=\"col\" readability=\"6\">\n<div class=\"row at-donation at-donation-mobile p-0\" readability=\"7\">\n<div class=\"col-xl-4 p-2\">\n<div data-bg=\"url(https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/03\/AT-logo-white.png)\" class=\"p-0 mt-2 mb-2 h-75 text-center rocket-lazyload\">\n<p><img decoding=\"async\" src=\"https:\/\/cdn.aspentimes.com\/wp-content\/uploads\/sites\/5\/2020\/03\/AT-logo-white.png\" class=\"logo m-0 p-0 invisible\"><\/p>\n<\/div>\n<\/div>\n<p><h3 class=\"d-inline mr-3\">Support Local Journalism<\/h3>\n<p><button class=\"btn d-inline\" type=\"button\" onclick=\"handleDonationButtonClickMidArticle()\">Donate<\/button><\/p>\n<\/div>\n<p><\/div>\n<\/div>\n<p class=\"STND-STND BodyText\">\u201cPostcards\u201d has become a virtual festival hit, garnering attention for its absurd relevance and winning prizes from Shortsfest, Canada\u2019s Saguenay International Short Film Festival and several European festivals this spring. The filmmaker learned his film had won the Shortsfest prize while under an enforced quarantine in Athens, during which he had to text authorities in order to be allowed to leave his home.<\/p>\n<p class=\"STND-STND BodyText\">\u201cIt started winning awards and getting more attention,\u201d Antonopoulos said. \u201cIt was one more surreal element in a surreal situation.\u201d<\/p>\n<p class=\"STND-STND BodyText\">Aspen Film is bringing the buzzy title back to streaming this weekend as it hosts nine award-winning Shortsfest films for an encore online presentation from May 21 to May 25.<\/p>\n<p class=\"STND-STND BodyText\">The inspiration for \u201cPostcards\u201d came from the 2015 Greek debt crisis, which broke while Antonopoulos was on vacation in the Cyclades islands (also where he shot the film in 2018).<\/p>\n<p class=\"STND-STND BodyText\">\u201cThe banks were closed down, no one knew what was going to happen,\u201d he recalled. \u201cWhatever you had in the bank might disappear. Your life could change the next day. I had never experienced that and I was observing people.\u201d<\/p>\n<p class=\"STND-STND BodyText\">He saw some rushing to supermarkets and stockpiling, many freaking out, while \u201cothers really didn\u2019t give a damn. They were on the beach and swimming and the weather was so great you couldn\u2019t believe anything could be wrong.\u201d<\/p>\n<p class=\"STND-STND BodyText\">Westerners from developed countries, he realized, couldn\u2019t know how to act when faced with a breakdown in organized society. The juxtaposition of the idyllic Mediterranean beach punctuated the disconnect, and the film was born in his mind.<\/p>\n<p class=\"STND-STND BodyText\">\u201cReality we never question, but even in our case it can collapse,\u201d he said.<\/p>\n<p class=\"STND-STND BodyText\">He took notes for months and worked on drafts of a script that might capture the idea with the comic tone he hoped for. It clicked when he inserted a narrator with an arch and droll voice (in the opening moments of the film the narrator of the bored couple \u201cIt was their 34th vacation together.\u201d). After that, he wrote his final draft in just a few days.<\/p>\n<p class=\"STND-STND BodyText\">Along with the odd resonance of the film in our moment and the pleasures of its bone-dry humor, \u201cPostcards\u201d is an ingenious magic trick of independent, low-budget filmmaking. Antonopoulos manages a way to tell the biggest story you can imagine \u2013 the apocalypse \u2013 while using just one location, no special effects and few props other than beach umbrellas and towels (though a few guns do show up eventually). The unseen apocalypse plays out on a human level through the confused and panicked Dimitri and Dimitris, with ominous touches like a static-filled television. He uses the wild and rocky island terrain to great effect, subtly shifting its sandy beach environs from peaceful to menacing as the family realizes there may be no way off the island.<\/p>\n<p class=\"STND-STND BodyText\">As a Shorsfest award-winner, \u201cPostcards\u201d qualified for Academy Award consideration in the Live Action Short category. Antonopoulos is excited by the prospect of campaigning for the Oscar, even in this upside-down year for the film industry.<\/p>\n<p class=\"STND-STND BodyText\">\u201cIt\u2019s a fun thing to think about,\u201d he said. \u201cAnd even to pursue.\u201d<\/p>\n<p class=\"STND-STND BodyText\">The enforced quarantine in Athens was lifted in mid-May, allowing Antonopoulos to move more freely about the city. He has been heartened by the Greek response to the virus.<\/p>\n<p class=\"STND-STND BodyText\">\u201cI\u2019m surprised Greece didn\u2019t collapse once more,\u201d he said. \u201cCOVID was relatively contained here. It was the first time we\u2019ve done something right in a long time.\u201d<\/p>\n<p class=\"STND-STND BodyText\">Antonopoulos spent his quarantine writing. He\u2019s at work on a follow-up short as well as his first feature film, both set in Greece during the Byzantine Empire. But don\u2019t expect him to make a traditional swords-and-sandals bore.<\/p>\n<p class=\"STND-STND BodyText\">\u201cIt sounds a bit crazy, I assume,\u201d he said. \u201cThe historical genre tends to be pompous and expensive. I want to make minimalist, weird, funny and tragic tales that take place in Byzantine times.\u201d<\/p>\n<p class=\"STND-STND BodyText Tagline\"><a href=\"mailto:atravers@aspentimes.com\">atravers@aspentimes.com<\/a><\/p>\n<p> <a href=\"https:\/\/www.aspentimes.com\/entertainment\/aspen-shortsfest-best-comedy-prizewinner-postcards-from-the-end-of-the-world-may-be-the-short-film-for-our-moment\/\" target=\"_blank\" rel=\"noopener noreferrer\">via:: The Aspen Times<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aspen Shortsfest Best Comedy winner &#8220;Postcards from the Edge of the World&#8221; is one of nine prize-winners streaming Memorial Day weekend.Courtesy photo Filmmaker Konstantinos Antonopoulos never imagined viewers would describe his short comedy of the apocalypse as \u201ctimely\u201d or \u201cfamiliar.\u201d But, of course, few people thought they\u2019d experience a global pandemic this spring. The Greek [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[49],"tags":[],"class_list":["post-2458713","post","type-post","status-publish","format-standard","category-local-news"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-08-17 10:14:32","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"KSPN The Valley&#039;s Quality Rock","distributor_original_site_url":"https:\/\/alwaysmountaintime.com\/kspn","push-errors":false,"_links":{"self":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2458713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/comments?post=2458713"}],"version-history":[{"count":0,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/posts\/2458713\/revisions"}],"wp:attachment":[{"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/media?parent=2458713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/categories?post=2458713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alwaysmountaintime.com\/kspn\/wp-json\/wp\/v2\/tags?post=2458713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}