Venezuela Aid Live: A Music Event in Colombia, Confrontations at the Border

This story was originally published in Spanish by Rolling Stone Colombia‘s editors. Read the original Spanish version here.

Update 2/23/18: The moment of music had long passed, and now it was nearing 7 a.m. on Saturday and the Colombian authorities were preparing to pass humanitarian aid to Venezuela. The night before, however, Delcy Rodríguez, vice president of Venezuela, announwced the closure of the Simón Bolívar, Unión and Santander bridges for “the serious and illegal threats attempted by the Government of Colombia against La Paz.”

By 8 a.m., members of the Bolivarian National Guard had already deserted, but Venezuelan soldiers, who prevented their passage to their country, guarded the same border. In Ureña, one of the municipalities closest to the Colombian-Venezuelan border, there were protests and clashes between citizens — who demanded the passage of humanitarian aid — and the military that was preventing it.

Colombia’s president, Iván Duque, handed aid over to Juan Guaidó, Venezuela’s opposition leader, at a press conference, and Guaidó said: “We ask the Venezuelan military to stand on the right side and receive their brothers who are taking help to serve the people of Venezuela.” The tractors that loaded all the supplies arrived at the Simón Bolívar bridge, where hundreds of volunteers were preparing to pass humanitarian aid through a human chain.

During a demonstration in Caracas, Nicolás Maduro announced that he was breaking political and diplomatic relations with Colombia, giving all diplomatic personnel 24 hours to leave Venezuela. As the hours wore on, there were reports that at least 23 members of the Venezuelan military and police defected at the borders. Convoys of trucks carrying food aid and medical supplies set off for Venezuela from border towns in Colombia and Brazil. Volunteers, protestors and opposition leaders were met with teargas and rubber bullets, and at least three aid trucks near the Colombian border were burned.

CÚCUTA, COLOMBIA 2/22/18Friday’s Venezuela Aid Live, according to its website (where people can still donate), sought to bring humanitarian aid that’s in Colombia across the border to reach the most-affected Venezuelans, raise awareness of the situation in Venezuela and raise funds for a social development plan with which expatriates could return to their country.

Reymar Perdomo opened the concert with “Me Fui,” a song that has become a hymn for Venezuelan expatriates with a video that went viral in Latin America. Perdomo is Venezuelan and has been living in Lima, Peru, playing and singing in buses.

After the performance, Richard Branson, founder of Virgin and organizer of the festival, gave a speech in which he thanked the attendees for being in Cúcuta to celebrate the lives of all Venezuelans. “If we can take people into space, why is it so difficult to get people out of poverty?” he said. People chanted: “Richard, Richard, Richard!” To speed up the change of artists on the stage, there was a revolving platform: As the musicians were playing on one side, the instruments of the next were mounted.

Jose Luis Rodriguez, “El Puma,” came out and started with a very clear message. “Thanks to dear Colombia and the United States,” he said, adding, “Enough of left-wing dictatorships in Latin America!” Already the political game was installed from the beginning. He sang “Agárrense las manos/Hold Your Hands” with an instrumental track and no band.

Reinaldo Armas, Cholo Valderrama and Jorge Glem arrived to dance at the tip of llanera music. Then came Jencarlos Canela with his success “Bajito,” while improvising phrases that invited people to donate, and Danny Ocean, wearing a T-shirt that depicted Mandela eating arepa, started dancing with “Dembow” and “Me rehúso/I refuse.”

Later in the afternoon, the most anticipated names came out. Paulina Rubio brought her pop and Diego Torres sang, as would be expected, “Color Esperanza/Color of Hope.” Silvestre Dangond started the party again and Maluma, accompanied only on guitar, followed in the midst of shouts from fans.

Miguel Bosé, who was at the border 11 years ago for the Concert for Peace that Juanes organized, filled the Tienditas Bridge with emotion and tears. Then, Carlos Baute landed with “Te regalo” and, obviously, “Yo me quedo en Venezuela (I Stay in Venezuela).” Luis Fonsi finished with “Despacito” and then Juan Luis Guerra showed all his experience with “I hope it rains coffee.” Fonseca sang Te Mando Flores/I Sent You Flowers” and gave way to Carlos Vives.

While there was a party on one side — with attendees singing on the border between Venezuela and Brazil at the Tienditas Bridge — in the state of Bolívar, two indigenous people died at the hands of the Bolivarian National Guard, according to the NGO Kapé Kapé. According Semana magazine, they were trying to keep a road open to allow the entry of humanitarian aid when special forces broke in. In addition to the two deceased, there were also 15 injured.

After 3 o’clock in the afternoon, the Venezuelan concert finally began. Composed mainly of Venezuelan artists related to the government of Maduro — such as Paul Gillman, who sang “Resistiré,” while waving the flag of his country, and Skaracas — it was also known that Grupo Niche refused to play in the “Hands Off Venezuela” concert.

Looking primarily at the music presentations, Venezuela Aid Live left much to be desired due to technical problems, instrument issues, the many instrumental tracks used and the crowd area being far from the stage. Sure, people enjoyed it, and the real goal was beyond the shows. If Branson wanted to put the eyes of the world on the border, he succeeded.

The news agencies were reporting live from Cúcuta, with journalists from all over Latin America in attendance, along with the United States, Canada, Portugal and Spain and other countries. The speeches by several of the artists against Maduro sent a clear message that would surely annoy Roger Waters. Tomorrow it will be seen if humanitarian aid finally crosses the border.

via:: Rolling Stone